Property from the Grasset Collection

Barent Avercamp

Skaters, kolf players and elegant figures with horse-drawn sleighs on a frozen river by a tower

Auction Closed

December 7, 07:07 PM GMT

Estimate

300,000 - 400,000 GBP

Lot Details

Description

Property from the Grasset Collection


Barent Avercamp

Kampen 1612/13 - 1679

Skaters, kolf players and elegant figures with horse-drawn sleighs on a frozen river by a tower


signed with the end of the brush 'wet-in-wet' lower centre: AVERCAMP (AVE in ligature)

oil on oak panel

30.8 x 55 cm.; 12⅛x 21⅝in.


---------------------------------------------------


格拉塞特典藏


巴倫特・阿弗坎普

坎彭,1612/13 - 1679年

《塔樓旁結冰河面上的溜冰者、考爾夫球手與坐在馬拉雪橇的紳士淑女》


款識︰藝術家簽名AVERCAMP(中下,AVE為相連字體)

油彩橡木畫板

30.8 x 55 公分;12 ⅛ x 21 ⅝ 英寸

Charles Auguste Louis Joseph Duc de Morny (1811–1865) (according to an inscription on an old label on the reverse stating that the painting was 'acheté 1600 francs à la vente du Duc de Morny');

Anonymous sale ('The Property of a Lady of Title'), London, Sotheby's, 21 April 1982, lot 6, for £56,000 to Van Dedem;

William Baron van Dedem, London (1929–2015);

With Noortman and Brod, Maastricht, 1982;

Anonymous sale ('The Property of a Gentleman'), London, Christie's, 11 December 1984, lot 108, for £85,000;

Where acquired for the Grasset Collection.

F.G. Meijer in Brueghel to Canaletto, European Masterpieces from the Grasset Collection, exh. cat. San Diego, 2016, p. 18, no. 13, reproduced in colour;

S. Thomas, in A Feast for the Eyes, European Masterpieces from the Grasset Collection, exh. cat. Saint Petersburg, Florida, 2019, pp. 23, 94, no. 5, reproduced in colour.

San Diego, The San Diego Museum of Art, Brueghel to Canaletto, European Masterpieces from the Grasset Collection, 2 April – 2 August 2016, no. 13;

San Diego, The San Diego Museum of Art, on loan 2016 – 2019 (when part of the Genre & Myth display, 2017 – 2019);

Saint Petersburg, Florida, Museum of Fine Arts, A Feast for the Eyes, European Masterpieces from the Grasset Collection, 23 March – 2 September 2019, no. 5.