Master Paintings Part II
Master Paintings Part II
Property from a Private Collection
Nocturnal village fire scenes, a pair
Lot Closed
January 28, 03:19 PM GMT
Estimate
15,000 - 20,000 USD
Lot Details
Description
Property from a Private Collection
Egbert Lievensz. van der Poel
Delft 1621 - 1664 Rotterdam
Nocturnal village fire scenes, a pair
one signed lower left: EvanderPoeL
both, oil on canvas laid on panel
each canvas: 13 2/8 by 17 in.; 34 by 43 cm.
each framed: 17½ by 19½ in.; 44.6 by 49.5 cm.
(2)
Count Adam Gottlob Moltke (1710-1792), the earliest recorded owner of these paintings, was a Danish courtier, statesman and diplomat, and favorite of Frederick V of Denmark, while his son, Joachim Godske Moltke, and his grandson, Adam Wilhelm Moltke, later served as Prime Ministers of Denmark. Adam Gottlob Moltke entered the service of the Royal household at a young age, serving as a page to the Crown Prince Frederick, future Frederick V of Denmark-Norway. Upon his ascension to the throne in 1730, Frederick appointed Moltke as Lord Chamberlain, and continued to lavish honors upon him: Moltke became a member of the Privy Council; was granted the estate of Bregentved in 1747; and was created a count in 1750. Frederick led a profligate lifestyle and relied heavily on the able ministers in his service. Alongside Count Johann Hartwig Ernst von Bernstorff, Moltke led the progress of Danish commerce and industry. The king’s ministers also pursued a careful policy of avoiding involving Denmark in any European wars, remaining neutral even during the Seven Years’ War (1756-63) despite the country’s proximity to Sweden and Russia. Following the death of Queen Louisa in 1751, Frederick was close to marrying one of Moltke’s daughters, but the count quickly declined this (somewhat dubious) honor and arranged for the marriage of the king to Juliana Maria of Brunswick-Wolfenbüttel, sister-in-law of Frederick the Great of Prussia. After the death of Frederick V, Moltke’s influence at court declined. He was dismissed from his various positions in July 1766 and retired to his estates at Bregentved, where he had amassed a large collection of pictures, including a significant number of seventeenth century Dutch pictures, four waterfall landscapes by Ruisdael, alongside works by Wouwermans, Hobbema, Metsu and Adriaen van Ostade. His collection was inherited by his son, Joachim Godske Moltke (1746-1818), who, like his father, played a prominent role in parliament, serving as a member of the Privy Council and as Prime Minister in 1814, the crucial year in which Denmark and Norway, which had been united under a single monarchy since the early-sixteenth century, split into two separate sovereign states. The Danish royal line remained in the Absolutist Oldenburg family, a situation which marked little change until the ascension of Frederick VII in 1848. Almost as soon as he succeeded to the throne, the Danish people petitioned for the institution of a Constitution. The new king accepted these requests, relinquishing his Absolute power and established a Danish parliament. The first Prime Minister under Denmark’s new constitutional monarchy was Joachim’s son, Adam Wilhelm Moltke (1785-1864).