View full screen - View 1 of Lot 48. Portrait of the Marquis de Caballero, seated three-quarter length, wearing uniform, the Cross of Carlos III and the Badge of the Order of Santiago.
48

Francisco José de Goya y Lucientes and Studio

Portrait of the Marquis de Caballero, seated three-quarter length, wearing uniform, the Cross of Carlos III and the Badge of the Order of Santiago

Property from the CINTAS Foundation

Francisco José de Goya y Lucientes and Studio

Francisco José de Goya y Lucientes and Studio

Portrait of the Marquis de Caballero, seated three-quarter length, wearing uniform, the Cross of Carlos III and the Badge of the Order of Santiago

Portrait of the Marquis de Caballero, seated three-quarter length, wearing uniform, the Cross of Carlos III and the Badge of the Order of Santiago

Authenticity guarantee

What is guaranteed?

Property from the CINTAS Foundation

Francisco José de Goya y Lucientes and Studio

Fuendetodos 1746 - 1828 Bordeaux

Portrait of the Marquis de Caballero, seated three-quarter length, wearing uniform, the Cross of Carlos III and the Badge of the Order of Santiago



signed, inscribed and dated: Ex.mo Sor / Marques de / Caballero / Min.tro de / Gr.a y Jus. / X / Goya / 1807

oil on canvas

canvas: 41 3/8 by 33 1/8 in.; 105.1 by 84.1 cm. 

framed: 53 by 45 1/4 in.; 134.6 by 115 cm. 


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辛塔斯基金會收藏

弗朗西斯科・何塞・德・戈雅・盧西恩特斯及其工作室

1746年生於豐德托多斯,1828年卒於波爾多

《卡巴列羅侯爵四分三半身坐像,身穿制服並佩戴卡洛斯三世十字架與聖地亞哥騎士團章》


款識:藝術家簽名、題款並紀年 Ex.mo Sor / Marques de / Caballero / Min.tro de / Gr.a y Jus. / X / Goya / 1807

油彩畫布

畫布:41 3/8 x 33 1/8 英寸;105.1 x 84.1 公分

連框:53 x 45 1/4 英寸;134.6 x 115 公分

To request a condition report, please contact Alison MacQueen (Alison.MacQueen@Sothebys.com)

Please refer to the online catalogue for the most up to date exhibition history on this lot.

Dona Maria Mayano y Montijo, Valladolid;

With Boussad and Valladon, Paris, 1912;

With Demotte, Paris, 1923;

Oscar B. Cintas (1887-1957), Havana and New York, by 1939;

By whom bequeathed to the CINTAS Foundation, Miami.

A.L. Mayer, Francisco de Goya, Munich 1923, p. 188, cat. no. 217a, reproduced pl. 198 (as a repetition of the painting in Budapest);
X. Desparmet Fitz-Gerald, L'oeuvre peinte de Goya. Catalogue Raisonne, Paris 1928-50, cat. no. 459;
J. Gudiol, Goya, Barcelona 1970, vol. I, under cat. no. 544 (as a replica of the painting in Budapest);
P. Gassier and J. Wilson, The Life and Complete Work of Francisco Goya, New York 1971, p. 374, under cat. no. 861 (as a replica of the painting in Budapest);
R. de Angelis, L'opera pittorica completa di Goya, Milan 1974, p. 120, under cat. no. 464;
J.L. Morales y Marin, Goya. Catalogo de la Pintura, Zaragoza 1994, p. 294, under cat. no. 373 (as a replica or copy);
É. Nyerges, in Obras Maestras del Arte Español, Museo de Bellas Artes de Budapest, exhibition catalogue, Bilbao 1997, p. 169, under cat. no. 46 (as a replica of the painting in Budapest).

New York, World's Fair, Masterpieces of Art, 27 May - 31 October 1939, no. 81;

Jacksonville, Florida, Cummer Gallery of Art, on long term loan;

Miami, Florida, The Lowe Art Museum, The Cintas Collection of Spanish Old Masters, on loan from 1989 until recently.