View full screen - View 1 of Lot 52. Portrait of a lady as Pomona, traditionally identified as the Marquise de Parabère.
52

Nicolas de Largillière

Portrait of a lady as Pomona, traditionally identified as the Marquise de Parabère

Property from the collection of Jules Strauss, recently restituted to his heirs

Nicolas de Largillière

Nicolas de Largillière

Portrait of a lady as Pomona, traditionally identified as the Marquise de Parabère

Portrait of a lady as Pomona, traditionally identified as the Marquise de Parabère

Authenticity guarantee

What is guaranteed?

Property from the collection of Jules Strauss, recently restituted to his heirs

Nicolas de Largillière

Paris 1656 - 1746

Portrait of a lady as Pomona, traditionally identified as the Marquise de Parabère


signed and dated on the reverse of the original canvas: peint par. N. de Largilliere 1714 (now visible through infrared reflectography).

oil on canvas

canvas: 57 by 41 1/4 in.; 147 by 104.7 cm.

framed: 66 1/2 by 50 3/4 in.; 169 by 128.8 cm.


------------------------------


祖爾斯・史特勞斯故藏,最近歸還予其後人

尼古拉・德・拉吉利耶

1656 - 1746年,巴黎

《扮演女神波摩納的女子肖像,一般被認為是帕拉貝侯爵夫人》


款識:(根據德累斯頓博物館在1985年完成的狀況報告)藝術家於原裝畫布背面簽名並紀年 peint par. N. de Largilliere 1714

畫布:57 x 41 1/4 英寸;147 x 104.7 公分

連框:66 1/2 x 50 3/4 英寸;169 x 128.8 公分

To request a condition report, please contact Alison MacQueen (Alison.MacQueen@Sothebys.com)

Please note that there is an Irrevocable Bid on this lot.

Ernest Gimpel, Paris and New York;

From whom acquired by Comte Boni de Castellane, Paris and New York;

Marquis de Chaponay, Paris, by 23 April 1909 and until at least 1928;

With Wildenstein & Co., Paris;

There acquired by Jules Strauss, Paris, and his son-in-law Roger Sauerbach, Paris, by May 1928; 

Jules Strauss, Paris, by 1935 and until 1941;

Deutsche Reichsbank, Berlin, acquired from the above by persecution and forced sale shortly before June 1941 through Margot Jansson;

Transferred from the above to the Gemäldegalerie, East Berlin, in 1953; 

Transferred from the above to the Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen, Dresden, in October 1959 (inv. 3821);

Restituted to the heirs of Jules Strauss in 2021.

L. Dumont-Wilden, Le Portrait en France, Brussels 1909, p. 204;
R. Gimpel, René GimpelJournal d’un collectionneur, Paris 1963, p. 45 (18 May 1922 entry), English language ed., New York 1987, p. 25;
G. Pascal, Largillierre, Paris 1928, p. 66, cat. no. 105, reproduced plate XIII;
H. Marx, "Französische Malerei des 18. Jahrhunderts in der Dresdener Gemäldegalerie. Die ausgestellten Bilder," in Dresdener Kunstblätter, vol. 17, Dresden 1973, pp. 178-179, reproduced p. 180;
M. N. Rosenfeld, Largillière: portraitiste du XVIIIe siècle, exhibition catalogue, Montreal 1981, p. 216, cat. no. 43a;
A. Walther (ed.), Gemäldegalerie Dresden, Alte Meister, Katalog der ausgestellten Werke, Leipzig, 1992, p. 251, cat. no. 3821, reproduced;
H. Börsch-Supan, Antoine Watteau, 1684-1721, Cologne 2000, pp. 76, reproduced in reverse p. 77, fig. 66;
Französische Gemälde des 17. und 18. Jahrhunderts in deutschen Sammlungen, exhibition catalogue, Munich 2005, cat. no. 533, p. 104, reproduced p. 105;
R. Pic, "La longue quête d’un Largillière enfin récompensée" in Le Quotidien de l'Art, no. 2104, 11 February 2021, pp. 8-10, reproduced. 
Paris, Musée du Jeu de Paume, Exposition de cent portraits de femmes des écoles anglaise et française du XVIIIe siècle, 23 April - 1 July 1909, no. 76;
Paris, Petit-Palais, Largillière, May-June 1928, no. 106;
Copenhagen, Charlottenborg Palace, L’Art français au XVIIIe siècle, 25 August - 6 October 1935, no. 122;
Munich, Haus der Kunst; Paris, Galeries Nationales du Grand Palais; Bonn, Kunst-und Ausstellungshalle der Bundesrepublik Deutschland, Französische Gemälde des 17. und 18. Jahrhunderts in deutschen Sammlungen, 20 April 2005 - 14 May 2006, no. 533.