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431

Schlumberger for Tiffany & Co.

Pair of Emerald and Diamond Earclips, France | Schlumberger for Tiffany & Co.| 祖母綠 配鑽石耳環一對,法國

Property from a Private Collection, Texas

Schlumberger for Tiffany & Co.

Schlumberger for Tiffany & Co.

Pair of Emerald and Diamond Earclips, France | Schlumberger for Tiffany & Co.| 祖母綠 配鑽石耳環一對,法國

Pair of Emerald and Diamond Earclips, France | Schlumberger for Tiffany & Co.| 祖母綠 配鑽石耳環一對,法國

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Property from a Private Collection, Texas

Schlumberger for Tiffany & Co. | Pair of Emerald and Diamond Earclips, France


 祖母綠 配鑽石耳環一對,法國


Designed as flowerheads, centering round emeralds, the petals accented by round diamonds, signed Tiffany Schlumberger Made in France, with French workshop mark; circa 1960. With signed box.

In good condition, with light wear to the mountings. Mountings test as platinum and 18 karat gold. The emeralds are medium-deep green, moderately included, with a few surface-reaching inclusions. The diamonds, estimated to weigh a total of approximately 4.55 carats, are approximately F-G color, primarily VS clarity, with a few SI clarity examples. Length approximately 1¼ inches. Total gross weight approximately 15 dwts.



In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. Illustrations in the catalogue may not be actual size. Prospective purchasers are reminded that, unless the catalogue description specifically states that a stone is natural, we have assumed that some form of treatment may have been used and that such treatment may not be permanent. Our presale estimates reflect this assumption. Certificates of Authenticity: Various manufacturers may not issue certificates of authenticity upon request. Sotheby's is not under an obligation to furnish the purchaser with a certificate of authenticity from the manufacturer at any time. Unless the requirements for a rescission of the sale under the Terms of Guarantee are satisfied, the failure of a manufacturer to issue a certificate will not constitute grounds to rescind the sale. Gemological Certificates and Reports: References in the catalogue descriptions to certificates or reports issued by gemological laboratories are provided only for the information of bidders, and Sotheby's does not guarantee and accepts no responsibility for the accuracy, terms or information contained in such certificates or reports. Please also note that laboratories may differ in their assessment of a gemstone (including its origin and presence, type and extent of treatments) and their certificates or reports may contain different results.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

French-born jeweler Jean Schlumberger began his career in the mid-1930s, catering to a well-heeled clientele that included the Princess de Faucigny, the Duchess of Kent and Daisy Fellowes. His reputation was already well-established when he opened his New York store in 1947. It was his collaboration with Tiffany & Co., beginning in 1956, however, that sealed his reputation as one of the great designers of the century.

Schlumberger’s whimsical creations flourished in the non-conformist spirit of the 1960s and 70s. His designs were embraced by woman who wished to wear something a tad unorthodox while remaining comfortably within the realm of good taste. He frequently took inspiration from nature, with flora and fauna figuring prominently into his more iconic works, as seen in his peridot seahorses and moonstone jellyfish, as well as the butterfly bracelet offered here (lot 429).


At other times, Schlumberger took inspiration from more non-traditional sources, as seen in his ‘Apollo’ earclips (lot 433), which are designed as atoms orbiting electrons. In time, others followed Schlumberger’s lead, but rarely in such fanciful fashion. Schlumberger’s talent for balancing joyful profusion with tasteful restraint lends his jewels a touch of levity, transforming haute joaillerie into something infinitely more fun and wearable.