View full screen - View 1 of Lot 28. The Artist's Niece Lena | La nièce de l'artiste, Lena.
28

Leo Whelan, R.H.A.

The Artist's Niece Lena | La nièce de l'artiste, Lena

VAT reduced rateArtist's Resale Right

Estimate:

4,000 - 6,000 EUR

Property from the Collection of the Late Brian P. Burns | Provenant de l'ancienne Collection de Brian P. Burns

Leo Whelan, R.H.A.

Leo Whelan, R.H.A.

The Artist's Niece Lena | La nièce de l'artiste, Lena

The Artist's Niece Lena | La nièce de l'artiste, Lena

Estimate:

4,000 - 6,000 EUR

Lot sold:

2,520

EUR

Property from the Collection of the Late Brian P. Burns

Leo Whelan, R.H.A.

1892-1956

The Artist's Niece Lena


signed LEO WHELAN (lower right)

oil on panel

unframed: 30.5 by 26cm.; 12 by 10¼in.

framed: 44.5 by 41cm.; 17½ by 16in.


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Provenant de l'ancienne Collection de Brian P. Burns

Leo Whelan, R.H.A.

1892-1956

La nièce de l'artiste, Lena


signé LEO WHELAN (en bas à droite)

huile sur panneau

san cadre: 30.5 by 26cm.; 12 by 10¼in.

avec cadre: 44.5 by 41cm.; 17½ by 16in.

The panel appears to be sound and the work in good overall condition. Minor frame abrasion to extreme lower right edge.


UV light reveals opaque varnish. There are two spots of retouching near the upper right corner, another small area to the centre of the lower edge and a few spots near the table in the centre of the left edge.


Held in an ebony composite frame.


Please note: Condition XVI of the Conditions of Business for Buyers (Online Only) is not applicable to this lot. (Veuillez noter que l'Article XVI des Conditions Générales de Vente applicables aux Vendeurs (Ventes Effectuées Exclusivement en Ligne) n'est pas applicable pour ce lot.)


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

The Artist's Family

Gorry Gallery, Dublin, where acquired by the late Brian P. Burns

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Famille de l'artiste

Gorry Gallery, Dublin, où elle a été acquise par feu Brian P. Burns

 

Boston, Boston College Museum of Art, America’s Eye: Irish Paintings from the Collection of Brian P. Burns, 26 January - 19 May 1996, no.12, illustrated p.87, with tour to Dublin, Hugh Lane Municipal Gallery of Modern Art, 19 June - 25 August 1996 and New Haven, Yale Center for British Art, 25 September 1997 - 4 January 1998

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Boston, Boston College Museum of Art, America's Eye : Irish Paintings from the Collection of Brian P. Burns, 26 janvier - 19 mai 1996, no.12, illustré p.87, avec une tournée à Dublin, Hugh Lane Municipal Gallery of Modern Art, 19 juin - 25 août 1996 et New Haven, Yale Center for British Art, 25 septembre 1997 - 4 janvier 1998

Whelan was one of the leading portrait painters in Ireland although the present work depicts a more intimate genre work. Although depicting the artist's niece and painted circa 1940 at the Whelan family home in Dublin, the feeling evoked is of domestic life in a rural cottage at the end of the 19th century. In a sparse room, a young woman sews beside a table placed in front of a fireplace. The earthy tones emphasise the rural setting, while the composition and use of light also reveals the artist's interest in the early Dutch genre masters.