View full screen - View 1 of Lot 17. Nguyen Nam Son (1890-1973), Cranes and fish | 阮南山,  白鶴與魚.
17

Nguyen Nam Son (1890-1973), Cranes and fish | 阮南山, 白鶴與魚

Property from a French private collection

Nguyen Nam Son (1890-1973), Cranes and fish | 阮南山, 白鶴與魚

Nguyen Nam Son (1890-1973), Cranes and fish | 阮南山, 白鶴與魚

Property from a French private collection

Nguyen Nam Son (1890-1973)

Cranes and fish


signed Nam Son and numbered 3/100 in Chinese, with three seals (middle left)

woodblock print on paper, hanging scroll

Executed in 1927

74 x 47.5 cm, 29 1/8 by 18 3/4 in.

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Collection particulière française

Nguyen Nam Son (1890-1973)

Grues et poissons rouges


signé Nam Son et numéroté 3/100 en chinois, avec trois cachets (à gauche au milieu)

Estampe sur papier, monté en rouleau

Réalisé en 1927

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法國私人收藏

阮南山 (1890-1973)

白鶴與魚


藝術家簽名及鈐印

彩色水印木刻版画 紙本

編號 3/100

1927年作

The paper turned yellowish. There are scattered creases and stains to the paper, There is a vertical old tear to the bottom, which was restored in the past. There are tears and losses of paper to the mounting, the bottom stick has been detached from the mounting.


Please note: Condition XVI of the Conditions of Business for Buyers (Online Only) is not applicable to this lot. (Veuillez noter que l'Article XVI des Conditions Générales de Vente applicables aux Vendeurs (Ventes Effectuées Exclusivement en Ligne) n'est pas applicable pour ce lot.)


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

This woodblock print bears three seals : 大南高等美術學堂 (Dai Nam Cao Dang My Thuat Hoc Duong/ Ecole Supérieure des Beaux-Arts d'Annam), 阮文壽 (Nguyen Van Tho), and 蘇玉雲 (To Ngoc Van).


Nguyen Van Tho is the actual name of Nam Son. This work was executed in 1927, when he was a professor of the École des Beaux-Arts de l’Indochine. Next to his seal, we can see the seal of his student To Ngoc Van, which isn't the case in other editions, which signifies that To had participated in the realization of this individual piece.


These two seals stamped under the seal of the Ecole des Beaux-Arts de l’Indochine, were also used on some prints produced by other students-artists of this school, such as 'The Tonkin woman and the wise old woman' by Nguyen Tuong Tam, and 'On the bank of the Red River' by Do Duc Thuan.

The original mounting of this work has been conserved, with the stamp of the framer to the upper left of the reverse.


Comparer with other examples of the same print:

L’Illustration, n° 4522, 2 November 1929, p. 512.

- Nam Phong, Hors-texte, n° 176, September 1932.

- Ngô Kim Khôi, Nam Son, sa vie, son oeuvre, manuscrit, p. 62-63.

- Musée Cernuschi, Du Fleuve Rouge au Mékong, Visions du Viet Nam, August 2012, Edition Findakly, Paris Musées, p.42.