View full screen - View 1 of Lot 10. A highly important gilt-bronze seated figure of Avalokiteshvara, Acuoye Guanyin, Dali Kingdom, 11th - 12th century | 十一至十二世紀 大理國鎏金銅阿嵯耶觀世音菩薩半跏像.
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A highly important gilt-bronze seated figure of Avalokiteshvara, Acuoye Guanyin, Dali Kingdom, 11th - 12th century | 十一至十二世紀 大理國鎏金銅阿嵯耶觀世音菩薩半跏像

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A highly important gilt-bronze seated figure of Avalokiteshvara, Acuoye Guanyin, Dali Kingdom, 11th - 12th century | 十一至十二世紀 大理國鎏金銅阿嵯耶觀世音菩薩半跏像

A highly important gilt-bronze seated figure of Avalokiteshvara, Acuoye Guanyin, Dali Kingdom, 11th - 12th century | 十一至十二世紀 大理國鎏金銅阿嵯耶觀世音菩薩半跏像

A highly important gilt-bronze seated figure of Avalokiteshvara, Acuoye Guanyin,

Dali Kingdom, 11th - 12th century

十一至十二世紀 大理國鎏金銅阿嵯耶觀世音菩薩半跏像


elegantly seated in lalitasana with one leg pendant, the right hand raised in vitarka mudra, the gesture of teaching, the left arm lowered in varada mudra, the gesture of bestowing wishes, displaying a regal composure and a serene facial expression, the hair neatly piled up into a tall and elaborate crown accommodating an image of Amitabha Buddha, with long loops of plaited hair reaching the shoulders, lavishly adorned with jewellery such as a headdress and armlets with three-pointed diadem design, large earrings and a bejewelled neckplate, rendered with a slender body with broad shoulders, the upper torse bare showing the graceful tautness of the figure, wearing a dhoti secured with a waist cloth which terminates in a bow affixed with a clasp in the form of a floral medallion, wood stand


h. 37.8 cm, overall 41.9 cm

The figure is in overall good condition; There is an original sealed aperture to the back of the head; There are several minute indentations throughout, with expected wear to gilding as can be seen in the illustration; There are remaining traces of gilt-lacquer to the fingers and hair, consistent to its type and period; A small casting hole to the top of the head.


整體品相良好;頭部後有原封閉長方形裝藏孔;周身常見碰撞及磨損,如圖錄圖片所示,鎏金偶有磨損及脫落。手指縫隙及髮絲縫隙偶見殘留漆金。頭頂有一小孔,或爲鑄造所致。


"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Collection of Peng Kai-dong, alias Nitta Muneichi (1912-2006), the Nitta Group Collection.

Christie's Hong Kong, 26th April 1998, lot 606.

R.H. Ellsworth Ltd, New York, 30th July 1998.


彭楷棟(1912-2006年,又名新田棟一)收藏,新田集藏

香港佳士得1998年4月26日,編號606

安思遠,紐約,1998年7月30日

Jintong fo zaoxiang tezhan tulu / The Crucible of Compassion and Wisdom: Special ExhibitionCatalogue of the Buddhist Bronzes from the Nitta Group Collection at the National Palace Museum, Taipei, 1987, cat. no. 105.

John Ang, 'The Crucible of Compassion and Wisdom', Arts of Asia, July-August 1988, pp. 91-103, fig. 21.

Robert E. Fisher, 'The Nitta Collection of Chinese Bronzes', Orientations, July 1990, pp. 39-45, fig. 4 (illustration mirrored).

John Guy, 'The Avalokiteśvara of Yunnan and Some South East Asian Connections', South East Asia & China: Art, Interaction & Commerce.Colloquies on Art & Archaeology in Asia, no. 17, London, 1994, pp. 64-83, fig. 12.

Amy G. Poster, Richard M. Barnhart, et.al., Crosscurrents: Masterpieces of East Asian Art from New York Private Collections, New York, 1999, cat. no. 11.


《金銅佛造像特展圖錄.新田集藏》,台北,1987年,編號105

John Ang,〈The Crucible of Compassion and Wisdom〉,《亞洲藝術》,1988年7/8月,頁91-103,圖21

Robert E. Fisher,〈The Nitta Collection of Chinese Bronzes〉,《Orientations》,1990年7月,頁39-45,圖4(圖片反置)

John Guy,〈The Avalokiteśvara of Yunnan and Some South East Asian Connections,《South East Asia & China: Art, Interaction & Commerce. Colloquies on Art & Archaeology in Asia》,第17期,倫敦,1994年,頁64-83,圖12

Amy G. Poster 及 Richard M. Barnhart 等,《Crosscurrents: Masterpieces of East Asian Art from New York Private Collections》,紐約,1999年,編號11

Jintong fo zaoxiang tezhan tulu / The Crucible of Compassion and Wisdom: Special ExhibitionCatalogue of the Buddhist Bronzes from the Nitta Group Collection at the National Palace Museum, National Palace Museum, Taipei, 1987.

Crosscurrents: Masterpieces of East Asian Art from New York Private Collections, Japan Society Gallery, in association with the Brooklyn Museum of Art, New York, 1999.


《金銅佛造像特展圖錄.新田集藏》,故宮博物院,台北,1987年

《Crosscurrents: Masterpieces of East Asian Art from New York Private Collections》,日本協會暨布魯克林博物館,紐約,1999年