View full screen - View 1 of Lot 21. Marcel Duchamp Mariée (Bride 3), Munich 1912.
21

Richard Pettibone

Marcel Duchamp Mariée (Bride 3), Munich 1912

Richard Pettibone

Richard Pettibone

Marcel Duchamp Mariée (Bride 3), Munich 1912

Marcel Duchamp Mariée (Bride 3), Munich 1912

Richard Pettibone

1938 -

Marcel Duchamp Mariée (Bride 3), Munich 1912


signed, dated, titled and stamped 

oil on canvas and easel 

29,85 x 19,05 cm (canvas); 200 x 42 x 42 cm (easel); 11¾x 7 1/2; 78 ½ x 16 ½ x 16 ½ in.

Executed in 1999.

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Richard Pettibone

b.1938

Marcel Duchamp Mariée (Bride 3), Munich 1912


signé, daté, titré et tamponné

huile sur toile et chevalet

29,85 x 19,05 cm (canvas); 200 x 42 x 42 cm (easel); 11¾x 7 1/2; 78 ½ x 16 ½ x 16 ½ in.

Exécuté en 1999.

The painting and easel are slightly dusty. The painting is in very good condition. The upper part of the easel present traces of use. The work is in very good condition.


"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Curt Marcus Gallery, New York

OK Harris Gallery, New York

Malle Collection, Paris (acquired from the above in May 2012)

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Curt Marcus Gallery, New York

OK Harris Gallery, New York

Collection Malle, Paris (acquis auprès du précédent en mai 2012)


New York, Tang Teaching Museum, Richard Pettibone: A Retrospective, November 19, 2005 - February 12, 2006; catalogue

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New York, Tang Teaching Museum, Richard Pettibone: A Retrospective, 19 novembre, 2005 - 12 février, 2006; catalogue

Originally conceived to be a serie in which each version would be painted darker, Pettibone decided to stop painting them as it was too much energy consuming for his sight. Each of the three versions is different and therefore unique (See : Cat. Exh., London, Tang Museum, Richard Pettibone: A Retrospective, November 19, 2005 – February 12, 2006). The other two versions are both in important NY state collections of Dadaism.

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Conçu à l'origine pour être une série dans laquelle chaque version serait peinte en plus foncé, Pettibone a décidé d'arrêter de les peindre car cela lui demandait trop d'énergie pour sa vue. Chacune des trois versions est différente et donc unique (voir : Cat. Exp., Londres, Tang Museum, Richard Pettibone: A Retrospective, 19 Novembre 2005 – 12 Février 2006). Les deux autres versions font partie d'importantes collections de l'État de New York sur le dadaïsme.