View full screen - View 1 of Lot 62. Mamultjulkina, 1996.

Property from the Estate of James and Elaine Wolfensohn, New York

George Tjungurrayi

Mamultjulkina, 1996

Auction Closed

May 25, 09:41 PM GMT

Estimate

25,000 - 35,000 USD

Lot Details

Description

Property from the Estate of James Wolfensohn, New York


George Tjungurrayi

Circa 1943

Mamultjulkina, 1996



Synthetic polymer paint on linen 

Bears artist's name and Papunya Tula catalogue number GT9606137 on the reverse

71 11/16 in by 60 in (182 by 152.4 cm)

Painted at Kintore for Papunya Tula Artists
Utopia Arts Sydney
James Wolfensohn, New York, acquired from the above

Cf., Tingari Dreaming, 1996 in the collection the National Gallery of Victoria in H. Perkins and H. Fink, Papunya Tula: Genesis and Genius, Art Gallery of New South Wales, Sydney, 2000 p. 121, for a closely related painting using a similar palette.


The original Papunya Tula Artists documentation read, 'this painting depicts the large swampy area at Mamultjulkina, north west of Lake Mackay. Edible grow in profusion in this area. Amongst them Mungilpa, a small black seed, and Lukarrara, a grass seed. These seeds are ground and formed into a type of damper.'


George Tjungurrayi developed the extraordinary, graphically minimal renditions of country associated with the Tingari Ancestors around 1996. This painting is one of the first in this breakaway style that the artist continues to explore. The field of narrow parallel lines, which 'warp' towards the edges of the lower-left register relates to designs engraved on shields in the Western Desert, as well as to a conceptualisation of the physical appearance of the country around Wilkinkara (Lake Mackay) with its parallel ridges of sand dunes.