19th Century European Art

19th Century European Art

View full screen - View 1 of Lot 413. L’Amour Désarmé (Cupid Disarmed).

Property of a Private Collector, Bryn Mawr, Pennsylvania

Jean-Baptiste Carpeaux

L’Amour Désarmé (Cupid Disarmed)

Lot Closed

May 26, 06:12 PM GMT

Estimate

10,000 - 15,000 USD

Lot Details

Description

Property of a Private Collector, Bryn Mawr, Pennsylvania

Jean-Baptiste Carpeaux

1827 - 1875

L’Amour Désarmé (Cupid Disarmed)


signed JB CARPEAUX and numbered (8), with the Cire Perdue A.A.Hebrard foundry mark

bronze on marble base

height of bronze 30 ½ in.; 77.5cm.

height of base 1 ½ in.; 3.8cm.

This sketch, also known as Psyché désarmant l'Amour, was posed for by Eugénie Fiocre, principal ballerina at the Paris Opéra from 1864 to 1875. Carpeaux had met the ballerina at a dinner hosted by the Duc de Morny, and it was she who suggested that he model a full length figure of her in her famous role of Psyche. Carpeaux exhibited the plaster sketch for the model at the Paris Salon in 1870. The lifesize version in marble, however, was never executed. Carpeaux did produce a 'finished' model, in the same size as the sketch, which was edited by his atelier in bronze and terracotta.


The model of the sketch was only edited in bronze after the Carpeaux's death. The Hébrard foundry produced an exclusive edition limited to fifteen numbered casts and the editions were cast with the permission of Carpeaux's daughter. The cast of the model was proposed by A. A. Hébrard, as he felt that the sketch, considering the changes in fashion in the early 20th century, would be more à la mode than the finished model. His reasoning was certainly understandable: the present cast has a lightness of touch, produced by the quick modelling of the original plaster, which lends it a modernist aesthetic. 


RELATED LITERATURE:

S. Lami, Dictionnaire des Sculpteurs de L'école Française, vol. I, Paris, 1914, p. 271.