View full screen - View 1 of Lot 19. Selected Images from Camera Work, Camera Notes, and Picturesque Bits of New York and Other Studies.
19

Various Photographers

Selected Images from Camera Work, Camera Notes, and Picturesque Bits of New York and Other Studies

Estimate:

25,000

to
- 35,000 USD

Property of a Prominent Corporation

Various Photographers

Various Photographers

Selected Images from Camera Work, Camera Notes, and Picturesque Bits of New York and Other Studies

Selected Images from Camera Work, Camera Notes, and Picturesque Bits of New York and Other Studies

Estimate:

25,000

to
- 35,000 USD

Property of a Prominent Corporation

Various Photographers

Selected Images from Camera Work, Camera Notes, and Picturesque Bits of New York and Other Studies


a group of 42 halftones and photogravures from Camera WorkPicturesque Bits of New York and Other Studies; and Camera Notes, each framed, 1894-1917, printed 1898-1917 (42)

images: various sizes to 6 by 9 in. (15.2 by 20.3 cm.)

frames: 16¾ by 20¾ in. (42.5 by 52.7 cm.) or the reverse

Please note the color and shades in the online catalogue illustration may vary depending on screen settings. This group of photogravures and halftones is in generally excellent condition. Although each work was not unframed for examination, they are overall bright and clean; individual notes and dimensions are as follows: The White House – James Craig Annan: Photogravure, 7 ¾ by 7 in. (Camera Work, 32:13) Riva Schiavoni - James Craig Annan: Photogravure, 5 ¾ by 8 in. (Camera Work, 08:13) The Fountain at Trevi- James Craig Annan: Halftone, tipped to ivory sheet, 6 ¾ by 8 in. (Camera Work, 21:43) On the Embankment – Alvin Langdon Coburn: Photogravure, tipped to ivory sheet, 8 ½ by 6 ½ in. (Camera Work, 28:55) Ebony & Ivory – F. Holland Day: Photogravure. Very subtle handling crease in the upper left quadrant, sight size 6 ½ by 5 ½ in. (Camera Notes, 2:1:19) Contrasts – Robert Demachy: Halftone tipped to tissue and again to laid paper, 6 ¾ by 4 ¾ in. (Camera Work, 05:13) Study in Red – Robert Demachy: Photogravure, 6 ¾ by 5 in. (Camera Notes, 2:1:19) Passing Steamer – Paul Haviland: Photogravure, sight size 5 ½ by 7 in. (Camera Work, 39:15) Angela- F. Benedict Herzog: Photogravure, 8 ¼ by 6 ¾ in. (Camera Work, 12:55) Girl in Straw Hat – Hill & Adamson: Photogravure, 8 ½ by 6 ¼ in. (Camera Work, 37:33) The Solitary Horseman- Theodor and Oscar Hofmeister: Photogravure, 4 3/4 by 7 in. (Camera Work, 07:05) Dachau- Theodor and Oscar Hofmeister: Photogravure, sight size 7 by 5 in. (Camera Work, 07:07) The Manger – Gertrude Kaesebier: Photogravure on heavy card, tipped to gray wove paper, with paper and adhesive remains and tiny binding holes along the right side, '3HD24' is written in pencil in an unidentified hand on the reverse, 8 by 5 ¾ in. (Camera Notes, 4:1:2) Blessed Art Thou Among Women – Gertrude Kaesebier: Photogravure on wove paper, with binding holes along left margin edge and some age darkening. 3HD28' is written in pencil in an unidentified hand on the reverse, 9 ¼ by 5 ½ in. (Camera Notes, 4:1:19) The Last Hour- Joseph Keiley: Photogravure, sight size: 5 by 7 1/2 in. (Camera Work: 17:07) Zitkala – Joseph Keiley: Photogravure, sight size 6 by 3 ½ in. (Camera Notes, 5:1:31) A Study in Sunlight – Heinrich Kuhn: Photogravure, 7 ¾ by 6 ½ in. (Camera Work, 13:17) Lotte and Nurse – Heinrich Kuhn: Halftone, 6 ¼ by 6 in. (Camera Work, 33:55) Woman in Hat- Constant Puyo: Halftone, 8 ¼ by 6 ¼ in. (Camera Work, 16:27) Black Bowl – George Seeley: Photogravure, 8 by 6 in. (Camera Work, 20:07) Girl with Parasol, Ema Spencer: Photogravure, 8 ¼ by 6 ¼ in. (Camera Work, 25:25) Eleonora Duse – Edward Steichen: Photogravure, with photographer's copyright and date 1904 printed in the margin, 8 ½ by 6 ½ in. (Camera Work, SS:11) Cyclamen, Mrs. Philip Lydig – Edward Steichen: Photogravure, 7 ¾ by 6 in. (Camera Work, 42/43:09) The Letter Box - Alfred Stieglitz: Photogravure, 7 ¾ by 5 3/4 in. (Picturesque Bits of New York and Other Studies, 1897) Glow of Night – NY – Alfred Stieglitz: Photogravure, 5 by 9 ¼ in. (Picturesque Bits of New York and Other Studies, 1897) New York Central Yards – Alfred Stieglitz, Photogravure, 7 3/4 by 6 1/4 in. (Camera Work, 36:59) Miss S. R. – Alfred Stieglitz: Photogravure (sepia tonality) on tissue, tipped to laid paper, margins are appropriate age darkened but somewhat lighter where they were not covered by an overmat, 8 1/2 by 5 ½ in. (Camera Work, 41:39) Icy Night – Alfred Stieglitz: Photogravure with a gray overmat glued to margins. There are tiny binding holes along left edge. The reverse is faintly soiled. 5 by 6 ¼ in. (Camera Notes, 5:2:107) Spring – Alfred Stieglitz: Photogravure, sight size 4 ½ by 6 in. (Camera Notes, 5:31:162) Spring Showers (The Coach) – Alfred Stieglitz: Photogravure, 5 ½ by 3 in. (Camera Notes, 5:3:183) The Pool - Alfred Stieglitz: Photogravure, 5 by 6 ¼ in. (Camera Work, 36:43) The Letter Box - Alfred Stieglitz: Photogravure, 7 ¾ by 5 3/4 in. (Picturesque Bits of New York and Other Studies, 1897) Glow of Night – NY – Alfred Stieglitz: Photogravure, 5 by 9 ¼ in. (Picturesque Bits of New York and Other Studies, 1897) Going to the Start - Alfred Stieglitz: Photogravure, 8 ½ by 7 ½ in. (Camera Work, 12:19) The Steerage – Alfred Stieglitz: Photogravure, 7 ½ by 6 in. (Camera Work, 36:37) The Hand of Man – Alfred Stieglitz: Photogravure on tissue, tipped to Enfield laid paper as issued, 6 ¼ by 8 ½ in., (Camera Work, 01:47) Snapshot From My Window – Alfred Stieglitz: Photogravure tipped to tan paper and again to ivory sheet. 8 ½ by 6 ¼ in. (Camera Work, 20:43) The City Across the River – Alfred Stieglitz: Photogravure, 8 by 6 ¼ in. (Camera Work 36:15) Gossip- Katwyk- Alfred Stieglitz: Halftone, sight size: 5 1/2 by 8 1/4 in. (Camera Work, 12:21) September- Alfred Stieglitz: Halftone, sight size: 6 1/4 by 4 3/4 in. (Camera Work, 12:23) The Swimming Lesson- Alfred Stieglitz: Photogravure, 6 by 9 in. (Camera Work, 36:41) On the East River – Karl Struss: Photogravure, signed and dated 1910 in pencil in the margin, 8 by 6 ½ in. (Camera Work, 38:31) Portrait – Clarence White, Photogravure, sight size 6 ¼ by 5 3/8 in. (Camera Notes, 6:1:2) Icy Night – Alfred Stieglitz: Photogravure on folded sheet advertising Goerz Lenses from Camera Work. There are several fox marks in the margins, and the margins are age darkened, primarily along the edges. 5 1/8 by 6 ¼ in (Camera Work, 4:99) New York Central Yards – Alfred Stieglitz, Photogravure, 7 ¾ by 6 ¼ in. (Camera Work, 36:59) Excavating - New York - Alfred Stieglitz, 5 by 6 ¼ in. (Camera Work, 36:39)


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

Solomon Fine Art, Monarch Beach, CA, 2005

The plates and artists are as follows:

The White House – James Craig Annan

Riva Schiavoni – James Craig Annan

The Fountain at Trevi – James Craig Annan

On the Embankment – Alvin Langdon Coburn

Ebony & Ivory – F. Holland Day

Contrasts – Robert Demachy

Study in Red – Robert Demachy

Passing Steamer – Paul Haviland

Angela – F. Benedict Herzog

Girl in Straw Hat – Hill & Adamson

The Solitary Horseman – Theodor and Oscar Hofmeister

Dachau – Theodor and Oscar Hofmeister

The Manger – Gertrude Kaesebier

Blessed Art Thou Among Women – Gertrude Kaesebier

Zitkala – Joseph Keiley

The Last Hour – Joseph Keiley

A Study in Sunlight – Heinrich Kuhn

Lotte and Nurse – Heinrich Kuhn

Woman in Hat – Constant Puyo

Black Bowl – George Seeley

Girl with Parasol – Ema Spencer

Eleonora Duse – Edward Steichen

Cyclamen, Mrs. Philip Lydig – Edward Steichen

Miss S. R. – Alfred Stieglitz

Spring – Alfred Stieglitz

Spring Showers (The Coach) – Alfred Stieglitz

The Pool – Alfred Stieglitz

The Letter Box – Alfred Stieglitz

Glow of Night- NY – Alfred Stieglitz

Going to the Start – Alfred Stieglitz

The Steerage – Alfred Stieglitz

The Hand of Man – Alfred Stieglitz

Snapshot From My Window – Alfred Stieglitz

The City Across the River – Alfred Stieglitz

Gossip – Katwyk – Alfred Stieglitz

September – Alfred Stieglitz

The Swimming Lesson – Alfred Stieglitz

On the East River – Karl Struss

Portrait – Clarence White

Icy Night – Alfred Stieglitz

New York Central Yards – Alfred Stieglitz

Excavating - New York - Alfred Stieglitz