View full screen - View 1 of Lot 11. Untitled #8-16 (from The Body Object Series).
11

Ann Hamilton

Untitled #8-16 (from The Body Object Series)

Ann Hamilton

Ann Hamilton

Untitled #8-16 (from The Body Object Series)

Untitled #8-16 (from The Body Object Series)

Ann Hamilton

b. 1956

Untitled #8-16 (from The Body Object Series)


a group of 9 gelatin silver prints, each framed to the photographer's specifications in Rosewood, a Sean Kelly Gallery, New York, label on the reverse, 1984-93, printed in 1993, no. 2 in an edition of 15 (9)

images: each 4 ⅜ by 4 ⅜ in. (11.1 by 11.1 cm.)

frames: each 22 ¾ by 20 ¾ in. (57.8 by 52.7 cm.)

Please note the colors in the online catalogue illustration may vary depending on screen settings. These gelatin silver prints, on double-weight paper with a surface sheen, are in generally excellent condition. There is some rippling in the margins on most of the prints. For each photograph, edition and printing information from the Sean Kelly labels on the back of the frames are below, as are print-specific condition notes. #8 (paddle): Edition 2/15. Negative 1984, printed in 1993. #9 (stoveplate): There are 2 pink spots in the upper portion, in the background. These appear to be a result of processing and not flaws on the surface of the print. Edition 2/15. Negative 1984, printed in 1993. #10 (basket): Edition 2/15. Negative 1984, printed in 1993. #11 (boot): Edition 2/15. Negative 1984, printed in 1993. #12 (door): Edition 2/15. Negative 1984, printed in 1993. #13 (toothpick suit/chair): There is some yellow/green staining on the reverse of the print, possibly from processing, which does not affect the front of the print. Edition 2/15. Negative 1984, printed in 1993. #14 (megaphone): Edition 2/15. Negative 1986, printed in 1993. #15 (honey hat): Edition 2/15. Negative 1989, printed in 1993. #16 (flour): Edition 2/15. Negative 1993, printed in 1993.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

Ruth Bloom Gallery, Santa Monica, 1993
Joan Simon, Ann Hamilton: An Inventory of Objects, New York, 2006, pp. 43-7