Adriaen Isenbrant

J.-E. Weber;

His sale et al., Brussels, Fievez, 7–8 July 1926, lot 163, reproduced;

G. Nauwelaerts, Brussels, by 1930;

Dr Schönemann, Amsterdam, by 1936 (according to an annotation by Friedländer on the reverse of a photo, Friedländer Archive);

Consul Karl Erik Hedborg, Brussels, by 1949;

Thence by descent until sold London, Sotheby’s, 6 July 1988, lot 12;

With the Alexander Gallery, New York;

With Bob Haboldt, Paris and New York, 1991;

Anonymous sale, New York, Sotheby’s, 15 January 1993, lot 74;

Probably acquired shortly thereafter by the father of the present owners.

London, Wildenstein Gallery, Gerard David and his followers, 1949, no. 23;

Bordeaux, Galerie des Beaux-Arts, Flandres, Espagne Portugal: des Primitifs à Rubens, 19 May – 31 July 1954, no. 36 (as Isenbrandt)

M.J. Friedländer, Early Netherlandish Painting, vol. XI, Leiden and Brussels 1974, p. 85, no. 163, reproduced plate 128 (as Isenbrandt);

J.C. Wilson, ‘Workshop patterns and the production of paintings in sixteenth century Bruges’, The Burlington Magazine, 132, 1990, pp. 523–27, reproduced fig. 3 (as attributed to Isenbrandt);

J.C. Wilson, Painting in Bruges at the close of the Middle Ages, Pennsylvania 1998, pp. 122, 223 n. 94, reproduced fig. 56 (as Adriaen Isenbrandt?);

T. Ketelsen, C. Brink and G. Walczak, Die Sammlungen der Hamburger Kunsthalle. Die Niederländischen Gemälde 1500–1800, Hamburg 2001, p. 140, under cat. no. 5231;

S. Urbach, Early Netherlandish Painting. Old Masters Gallery Catalogue. Szépmüvészeti Múzeum Budapest, London 2015, vol. I, p. 219, under cat. no. 18, reproduced fig. 18.11.