View full screen - View 1 of Lot 47. Strassenszene mit einer Frau, Begegnungen (Street Scene with a Woman, Encounters) .
47

Christian Rohlfs

Strassenszene mit einer Frau, Begegnungen (Street Scene with a Woman, Encounters)

VAT reduced rate

Estimate:

50,000

to
- 70,000 EUR

Christian Rohlfs

Christian Rohlfs

Strassenszene mit einer Frau, Begegnungen (Street Scene with a Woman, Encounters)

Strassenszene mit einer Frau, Begegnungen (Street Scene with a Woman, Encounters)

Estimate:

50,000

to
- 70,000 EUR

Christian Rohlfs

1849 - 1938

Strassenszene mit einer Frau, Begegnungen

(Street Scene with a Woman, Encounters)

signed Chr. Rohlfs (lower right); inscribed F 28 Begegnung on the reverse

gouache and ink on paper

64.5 by 50 cm., 25⅜ by 19¾ in.

Framed: 99.5 by 83.5 cm., 39⅛ by 32¾ in.

Executed in 1922.


Please note that this work will need to travel to the Christian Rohlfs committee shortly after the sale and will therefore be available for pick up at a later stage.

To request a condition report for this lot, please contact Christine.Senft@Sothebys.com.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE

Private Collection, USA

Sale: Grisebach, Berlin, 24th November 2000, lot 44

Private Collection, United Kingdom

Acquired from the above by the present owner

Christian Rohlfs was a German expressionist painter, who evolved from the academic and impressionistic style to the expressionist execution influenced by the Brücke group. He was foremost important for the area of North Rhine Westphalia, predominantly Hagen, where to in 1901 the renowned collector Karl Ernst Osthaus invited him to set up his studio.

 

His works are dominated by the use of strong colours, in particular the application of the complimentary colours red, blue and green. Furthermore, strong brushstrokes and thick lines are significant for his characteristic style in his compositions. In the present work these characteristics create an extraordinary juxtaposition in the execution between his impulsive dynamic lines and the depiction of elegance in the lady in her read dress and her hat.

The movement of the woman with her dog about to cross a street in Strassenszene mit einer Frau, Begegnungen, has coagulated in a unique way into a standstill of almost magical concentration. The slender back figure of the woman in a sonorous reddish robe that plays into blackness remains upright in front of a busy exterior scene. The figures she encounters during her stroll radiate something mysterious, since one perceives them only as sketched outlines. The fascination of the subject of a woman strolling as seen in the present work was also famously capture by another contemporian of Rohlfs, August Macke. His celeberated work such as Der Hutladen from 1914 which is part of the collection of the Museum Folkwang in Essen shows a metropolitan scene with an elegant lady wearing an elaborate hat while she is strolling. These street scenes thus represent the real artistic discovery of the metropolis with the flâneur who becomes a figure of longing for a decelerated life in an increasingly confusing world.