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3123

饒宗頤 Rao Zongyi | 杜陵詩意冊 Landscape After Du Fu's Poem

饒宗頤基金藏書畫(編號3117-3126)| From the Collection of Jao Tsung I Foundation (Lots 3117-3126)

饒宗頤 Rao Zongyi | 杜陵詩意冊 Landscape After Du Fu's Poem

饒宗頤 Rao Zongyi | 杜陵詩意冊 Landscape After Du Fu's Poem

From the Collection of Jao Tsung I Foundation (Lots 3117-3126)

Rao Zongyi (1917-2018)

Landscape After Du Fu's Poem


ink and colour on paper, set of twelve, framed

signed, dated 2001, with 18 seals of the artist

each 36.4 x 6.2 cm 14⅜x 2⅜in. (12)

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饒宗頤基金藏書畫(編號3117-3126)

饒宗頤 (1917-2018)

杜陵詩意冊


設色灑金箋 十二幀 鏡框 二○○一年作

畫家題木匣

匣外:選堂寫杜陵詩意冊。辛巳自署。


款識:

〈一〉藍水遠從千澗落。選堂寫杜句。

〈二〉羣山萬壑赴荊門。選堂。

〈三〉舞霧雪渡江湖。選堂寫杜句。

〈四〉日滿廔前江霧黃。選堂。

〈五〉山縣早休市。選堂寫杜句。

〈六〉萬壑樹聲滿。杜句。選翁。

〈七〉古木蒼藤日月昏。選堂寫杜句。

〈八〉岸夾桃花錦浪生。選堂寫杜句。

〈九〉渚花張素錦,汀草亂青袍。辛巳寫杜句。選堂。

〈十〉江湖滿地一漁翁。選堂。

〈十一〉舍南舍北皆春水,但見羣鷗日日來。選堂。

〈十二〉吳楚東南坼,乾坤日夜浮。選堂寫杜句冊子。時年八十有五。


鈐印:「饒」(七鈐)、「伯子」(三鈐)、「饒」、「饒」(二鈐)、「宗頤」(二鈐)、「選堂」(二鈐)、「饒」。


展覽:香港國際創價學會香港文化會館,〈學藝雙攜:饒宗頤藝術天地〉,二○○二年七月六日至十四日


著錄:〈學藝雙攜:饒宗頤藝術天地〉(香港國際創價學會,二○○二年五月),⾴79-82

〈饒宗頤藝術創作匯集 IV:腕底⼭川・造景山水〉(香港大學饒宗頤學術館,二○○六年十二月),頁119-122


註:饒宗頤平生尤服膺杜甫,深入研究其生平及詩作,學術上著文〈論杜甫夔州詩〉,又賦詩歌和其〈秋興八首〉、〈對月三首和杜〉(見〈南征集〉),教學上又曾授杜詩課。據曾憲通〈選堂訪古留影與饒學管窺〉,饒氏一九八○年返內地考察,隨身攜閱〈杜詩鏡詮〉,想像杜甫、李白入川時之情狀。本冊十二開,取材日本灑金紙片,配桐木盒,尺幅嬌小精緻,繪時年屆八十五,仍作蠅頭小字,各開援引杜甫詩句衍化為圖,筆墨恬淡隨性,尤得詩中澹泊閑靜之意境,足見對杜詩體會之深。


饒宗頤基金藏書畫(編號3117-3126)


饒宗頤教授 (1917-2018),治學範圍既廣而深,於敦煌學、甲骨學、簡帛學、詩詞學、藝術史學,均有創造性之成就與建樹。六十歲後,學術之暇,遊心翰墨,書畫興味,日益濃厚。其家人憶述,饒氏平日研究工作繁重,登門問學者眾,唯有周日,杜門不出,於畫室中恣肆墨戲,家人則從旁拉紙調色。九十歲後,創作力依然旺盛,作品疊出新意,如作油畫,又追摹盛唐荷花,有「饒荷」之譽。

本輯屬饒宗頤基金所藏。基金會乃二○○五年由饒宗頤及家人成立,旨在支持其學術與藝術研究。輯中書畫向為畫家自藏,不少屢經展覽出版,為生平代表作,如〈漢人吉語〉四屏、 〈鶴壽〉,珍祕多年不曾示人的得意之製如〈俠客行〉長卷,又及精緻日式小屏〈杜陵詩意冊〉、小冊〈四時山水〉、小聯〈楷書十一言聯〉,既見其文章興味,亦顯其不同領域之深湛造詣,識者自珍之!


each 36.4 x 6.2 cm 14⅜x 2⅜in. (12)

-Generally in good condition. For detailed condition photos and further inquiries, please contact cptghk@sothebys.com


-整體品相良好。如需作品實景照片,或欲查詢作品資料,請電郵至cptghk@sothebys.com


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