View full screen - View 1 of Lot 63. 'Dunes, Oceano'.
63

Edward Weston

'Dunes, Oceano'

Edward Weston

Edward Weston

'Dunes, Oceano'

'Dunes, Oceano'

Edward Weston

1886 - 1958

'Dunes, Oceano'


gelatin silver print, mounted, initialed and dated in pencil on the mount, signed, titled, and dated in pencil on the reverse, 1936, probably printed in the 1940s

image: 7 ½ by 9 ½ in. (19.1 by 24.1 cm.)

frame: 13 ½ by 15 ¼ in. (34.3 by 38.7 cm.)

Please note the colors and shades in the online catalogue illustration may vary depending on screen settings. Please contact the Photographs department to request additional images of this work: photographsny@sothebys.com. This luminous, highly-detailed print is in generally very good condition. It is overmatted so the edges of the mount cannot be fully examined. This does not affect the print itself in any way. Upon very close inspection in high raking light, the following are visible: scattered shallow hairline scratches, mostly in the dark areas of the print; and a small impression in the lower left quadrant, none of which breaks the emulsion or is immediately apparent. On the reverse of the mount is some minor soiling and a few stray graphite deposits. When examined under ultraviolet light, this photograph does not appear to fluoresce.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

Private collection, Oberlin, Ohio

Gift of the above to the present owner, 1980

Conger 939

Edward Weston: Fifty Years (Aperture, 1973), p. 167

Beaumont Newhall, Supreme Instants: The Photography of Edward Weston (Boston, 1986), cover and pl. 68

Carl Haenlein, Anton Josef Trcka, Edward Weston, Helmut Newton: The Artificial of the Real (Hanover, 1998), p. 121

Theodore E. Stebbins, Jr., Karen Quinn, and Leslie Furth, Edward Weston: Photography and Modernism (Boston: Museum of Fine Arts, 1999), pl. 81

Jennifer A. Watts, ed., Edward Weston, A Legacy (Los Angeles: The Huntington Library, 2003), p. 28

Kurt Markus, Dune: Edward & Brett Weston (Kalispell, Montana, 2003), p. 91

Manfred Heiting, ed., Edward Weston (Köln, 2004), p. 145