Triangles
Lot Closed
April 21, 02:18 PM GMT
Estimate
150,000 - 250,000 USD
Lot Details
Description
Imogen Cunningham
1883 - 1976
Triangles
gelatin silver print, framed, a Whitney Museum of American Art exhibition label on the reverse, 1928
image: 4 by 2 ⅞ in. (10.16 by 7.3 cm.)
frame: 17 ¼ by 14 ¼ in. (43.8 by 36.2 cm.)
Acquired from the above, late 1980s
Louis Stettner, The History of the Nude in American Photography: 1840 to the Present (Greenwich, 1966), p. 84
Imogen Cunningham: Photographs (Seattle, 1970), cover and pl. 12
Vintage Photographs by Women of the 20’s and 30’s (Chicago: Edwynn Houk Gallery, 1988), title page
Constance Sullivan, ed., Women Photographers (New York, 1990), pl. 36
Thomas Weston Fels, Watkins to Weston: 101 Years of California Photography 1849-1950 (Santa Barbara Museum of Art, 1992), p. 139
Richard Lorenz, Imogen Cunningham: Ideas Without End, A Life in Photographs (San Francisco, 1993), pl. 53
Imogen Cunningham: The Modernist Years (Tokyo, 1993), unpaginated
Imogen Cunningham: The Poetry of Form (Frankfurt, 1993), p. 40
Christian A. Peterson, After the Photo-Secession: American Pictorial Photography, 1910-1955 (The Minneapolis Institute of Arts, 1997), pl. 61
Naomi Rosenblum, A World History of Photography (New York, 1997), p. 431
Richard Lorenz, Imogen Cunningham: On the Body (Boston, 1998), pl. 44
An Eclectic Focus: Photographs from the Vernon Collection (Santa Barbara Museum of Art, 1999), p. 86
Manfred Heiting, ed., Imogen Cunningham: 1883-1976 (Köln, 2001), p. 46
Marianne Karabelnik, ed., Stripped Bare: The Body Revealed in Contemporary Art (New York, 2004), p. 52
Nissan N. Perez, A Rare Gift: The Noel and Harriette Levine Collection of Photograph (Jerusalem: The Israel Museum, 2010), p.113
Karen E. Haas, An Enduring Vision: Photographs from the Lane Collection (Boston: Museum of Fine Arts, 2011), pl. 56
Celina Lunsford and Jamie M. Allen, Imogen Cunningham (Madrid:Fundación Mapfre, 2012), p. 230, pl. 182
Quentin Bajac and Sarah Hermanson Meister, The Shape of Things: Photographs from Robert B. Menschel (New York: The Museum of Modern Art, 2016), p. 107
Noam Gal, A Modern Love: Photographs from The Israel Museum (Jerusalem: The Israel Museum, 2019), p. 69
Paul Martineau with contributions by Susan Ehrens, Imogen Cunningham: A Retrospective (Los Angeles: The J. Paul Getty Museum, 2020), pl. 42