View full screen - View 1 of Lot 14. JUAN MARTÍN CABEZALERO  |  MARY MAGDALENE HOLDING A JAR OF OINTMENT.
14

JUAN MARTÍN CABEZALERO | MARY MAGDALENE HOLDING A JAR OF OINTMENT

Estimate:

15,000

to
- 20,000 GBP

Property from Caylus, Madrid

JUAN MARTÍN CABEZALERO | MARY MAGDALENE HOLDING A JAR OF OINTMENT

JUAN MARTÍN CABEZALERO | MARY MAGDALENE HOLDING A JAR OF OINTMENT

Estimate:

15,000

to
- 20,000 GBP

Lot sold:

30,000

GBP

Property from Caylus, Madrid

JUAN MARTÍN CABEZALERO

Ciudad Real 1633 - Madrid 1673

MARY MAGDALENE HOLDING A JAR OF OINTMENT


oil on canvas

unframed: 66.5 x 52.5 cm.; 26¼ x 20¾ in.

framed: 92.5 x 78 cm.; 36½ x 30¾ in.


To view Shipping Calculator, please click here

The painting appears to be in very good condition overall, with no extant damages for loss of paint. The canvas has been relined, however the impasto is still strong in the highlights. Examination under ultraviolet light reveals scattered minor retouching; predominantly strengthening in the hair and in the drapery of the right shoulder; the outlines of the hands; and along the right edge of the cup. There is also a 2" x 2.5" square of retouching in the bottom right corner and the remnants of an old discoloured varnish in places. Overall the painting is remarkably well preserved for its age and there is no need for further restoration or conservation.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

Anonymous sale, London, Bonhams, 5 July 2006, lot 47 (as attributed to Pieter Thys).

"Executed with great freedom and confident brushwork, this beautiful youthful Magdalene by Cabezalero appears to be based on a real model in the tradition of the divine portrait or ‘Retrato a lo divino’, thereby heightening its sense of the real to contemporary viewers. The artist has taken a highly original approach to the subject, depicting the figure in the act of lifting the lid of the jar of ointment that she used to anoint Christ."


James Macdonald


Few works by Cabezalero survive, and relatively little is known about his early life. The contemporary Spanish biographer Antonio Palomino tells us that he was a native of Almadén on the border of the province of Córdoba and that he moved to Madrid to study under Juan Carreño de Miranda, in whose house he was still living by 1666. In keeping with many of the Madrileñan painters of the mid-17th century, Cabezalero’s paintings display a strong debt to the work of Van Dyck, and also to the great Diego Velázquez, in whose shadow Cabezalero and his contemporaries worked. For this Magdalene, the artist uses the same female model as the Blessed Virgin and female saints in the Imposition of the Chasuble on St Ildefonso (fig. 1), with an elongated face, straight nose and small mouth, hands with stylised fingers, and geometrical folds on the cloak with an iridescent shine; another distinctive feature is the absence of a halo on the saint.