JAN FRANS VAN BLOEMEN, CALLED ORIZZONTE  |  A PAIR OF CAPRICCI DEPICTING COUNTRY SCENES WITH FIGURES
JAN FRANS VAN BLOEMEN, CALLED ORIZZONTE  |  A PAIR OF CAPRICCI DEPICTING COUNTRY SCENES WITH FIGURES
JAN FRANS VAN BLOEMEN, CALLED ORIZZONTE  |  A PAIR OF CAPRICCI DEPICTING COUNTRY SCENES WITH FIGURES
JAN FRANS VAN BLOEMEN, CALLED ORIZZONTE  |  A PAIR OF CAPRICCI DEPICTING COUNTRY SCENES WITH FIGURES
JAN FRANS VAN BLOEMEN, CALLED ORIZZONTE  |  A PAIR OF CAPRICCI DEPICTING COUNTRY SCENES WITH FIGURES
JAN FRANS VAN BLOEMEN, CALLED ORIZZONTE  |  A PAIR OF CAPRICCI DEPICTING COUNTRY SCENES WITH FIGURES
JAN FRANS VAN BLOEMEN, CALLED ORIZZONTE  |  A PAIR OF CAPRICCI DEPICTING COUNTRY SCENES WITH FIGURES
JAN FRANS VAN BLOEMEN, CALLED ORIZZONTE  |  A PAIR OF CAPRICCI DEPICTING COUNTRY SCENES WITH FIGURES
64

Property from Marco Voena, London, Milan & St. Moritz

JAN FRANS VAN BLOEMEN, CALLED ORIZZONTE | A PAIR OF CAPRICCI DEPICTING COUNTRY SCENES WITH FIGURES

Estimate: 30,000 - 50,000 GBP

JAN FRANS VAN BLOEMEN, CALLED ORIZZONTE | A PAIR OF CAPRICCI DEPICTING COUNTRY SCENES WITH FIGURES

This lot has been withdrawn

Description

Property from Marco Voena, London, Milan & St. Moritz

JAN FRANS VAN BLOEMEN, CALLED ORIZZONTE

Antwerp 1662 - 1749 Rome

A PAIR OF CAPRICCI DEPICTING COUNTRY SCENES WITH FIGURES


a pair, both oil on canvas, ovals

unframed: each 80.4 x 59.2 cm.; 31⅝ x 23¼ in.

framed: each 99 x 78.5 cm.; 39 x 30⅞ in.

(2)


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Condition Report

Both canvases are lined, and the paint surfaces are both clean with clear and even varnishes. Inspection under ultraviolet light reveals very few, scattered retouchings in each painting. The most notable area of intervention is a strip of restoration in the centre of the former measuring 2 x 8 cm. The paintings are both in overall very good condition.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

Provenance

Charles Grice-Hutchinson (d. 1949), The Boynes, Upton-upon-Severn, Worcestershire, by 1896;

Thence by descent until sold, Prinknash Abbey Park, Chorley's, 19 May 2015, lot 647.


Catalogue Note

"Van Bloemen's paintings are a homage to the Roman countryside. In this pair the higlight for me is the way the Colosseum pokes through the trees, luring us towards the centre of Rome."


Edoardo Roberti


After completing his apprenticeship with Anton Goubau in Antwerp, Jan Frans Van Bloemen set out on the long journey through France bound for the Eternal City where he arrived in 1688. Van Bloemen’s prolific output of landscape scenes enjoyed huge success in Rome, and he counted among his patrons members of the Rospigliosi and Pallavicini families. This success earned him a place among the Virtuosi of the Pantheon in 1714 and as of 1742 admission to the Accademia di San Luca. He would remain in Rome for the rest of his life. Van Bloemen’s landscapes are permeated with a serene, classical atmosphere and should be considered continuations of the landscape tradition launched in Rome by Nicolas Poussin, Claude Lorrain and Gaspard Dughet during the 17th century. It was because of the clear light, and striking chromatics which always characterise his skies that his contemporaries nicknamed him Orizzonte, meaning ‘horizon’.



JAN FRANS VAN BLOEMEN, CALLED ORIZZONTE  |  A PAIR OF CAPRICCI DEPICTING COUNTRY SCENES WITH FIGURES
Property from Marco Voena, London, Milan & St. Moritz
JAN FRANS VAN BLOEMEN, CALLED ORIZZONTE | A PAIR OF CAPRICCI DEPICTING COUNTRY SCENES WITH FIGURES
Lot Closed