STYLE: Silver, Gold Boxes and Ceramics

STYLE: Silver, Gold Boxes and Ceramics

View full screen - View 1 of Lot 25. A nautilus cup with German silver-gilt mounts, Paul Solanier, Augsburg, circa 1703-09.

Property of an Important European Collection

A nautilus cup with German silver-gilt mounts, Paul Solanier, Augsburg, circa 1703-09

Lot Closed

November 13, 01:25 PM GMT

Estimate

20,000 - 30,000 GBP

Lot Details

Description

Property of an Important European Collection

A nautilus cup with German silver-gilt mounts, Paul Solanier, Augsburg, circa 1703-09


on a native male figure with feathered skirt stem, the rim, openwork straps and foot, flat chased and applied with portrait medallions and Regence ornament on matting

33cm., 13in. high


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This lot contains endangered species. Sotheby’s recommends that buyers check with their own government regarding any importation requirements prior to placing a bid. For example, US regulations restrict or prohibit the import of certain items to protect wildlife conservation. Please note that Sotheby’s will not assist buyers with the shipment of this lot to the US. A buyer’s inability to export or import these lots cannot justify a delay in payment or sale cancellation.
The practice of setting nautilus shells in precious mounts had a long history dating back to at least the 14th century. One of the first westerners to observe and record tropical shells in their natural habitat was an employee of the Dutch East India Company, Georg Rumphius (1627-1702) who lived on the spice island of Amboyna cataloguing like a scientist and sending shells to the avid collectors in Europe. His work D’amboinische Rareitkamer, was first published in Dutch three  years after his death and was subsequently translated into French German and Russian
He describes the lengthy preparation of the Nautilus shell in Amboyna, how only the largest and cleanest were chosen, that the shells were pickled in rotting rice or some other acid for upwards of twelve days to loosen the outer shell and reveal the mother-of-pearl which was then rubbed with alcohol to make it brilliant. For a full description of this including the decorative techniques sometimes employed on the shells see: Hugh Tait, Catalogue of the Waddesdon Bequest in the British Museum, vol. III, The ‘Curiosities’, London, 1991, pp. 77 et Seq.