RICHARD PARKES BONINGTON | CASTELLO ESTENSE, FERRARA
40,000 - 60,000 GBP
RICHARD PARKES BONINGTON
1802 - 1828
CASTELLO ESTENSE, FERRARA
watercolour over pencil heightened with bodycolour and gum arabic on paper
unframed: 19.4 by 15.2cm., 7½by 6in.
framed: 30 by 26cm., 11¾ by 10¼in.
Executed circa 1827.
To view shipping calculator, please click here.
Not examined unframed. Overall condition extremely good and fresh. One or two tiny brown marks, top edge, but no significant condition problems. Sold in a carved and gilded frame.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.
Possibly Lewis B. Brown
His sale, Pierrot Auctioneers, Paris, 12 and 13 March 1839, lot 65 (View at Ferrara)
Louis-Philippe Albert Orléans, Comte de Paris (1838-1894)
Sotheby’s, London, 22 November 2007, lot 158
Patrick Noon, Richard Parkes Bonington: The complete paintings, New Haven, 2008, p. 321, cat. no.256;
Patrick Noon, Richard Parkes Bonington: The complete drawings, New Haven, 2008, p. 173, cat. no.322
This jewel-like watercolour, which survives in very fine condition, shows Ferrara’s ‘Castello’, a fortification that was designed by the architect, Bartolino da Novara, in 1385 and was later to become the ducal palace of the Este dynasty.
Bonington visited Ferrara with his friend and patron Baron Charles Rivet, in late May of 1827. The pair were on an extended tour of Italy and, having just spent three weeks in Venice, were travelling south towards Florence.
Ferrara’s faded splendour very much appealed to early 19th century travellers, and the essayist William Hazlitt (1778-1830) enthusiastically described it as ‘the ideal of an Italian city, once great, now a shadow of itself…. a classic vestige of antiquity, drooping into peaceful decay.’
While ‘on the spot’, Bonington executed a pencil drawing, which clearly served as the basis for the finished watercolour. That drawing remained in Bonington’s studio until his untimely death aged only 27 years old. At his estate sale in 1829, it was acquired by the 3rd Marquess of Lansdowne.1
The present watercolour has a distinguished provenance, having once belonged to Louis-Philippe Albert Orléans, Comte de Paris, the grandson of the last King of France.
1. P. Noon, Richard Parkes Bonington: The complete drawings, New Haven, 2008, p. 173, no. 322