View full screen - View 1 of Lot 116. ANDY WARHOL |  GRAPES (FELDMAN & SCHELLMANN II.190-195).





1928 - 1987


The complete set of six screenprints in colors, 1979, each signed in felt-tip pen and inscribed 'A.P. 7/10', artist's proofs aside from the numbered edition of 50, on Strathmore Bristol paper, with the blindstamp of the printer, Rupert Jasen Smith, published by Andy Warhol Enterprises, Inc., New York, and with their inkstamp on the verso, framed (6 prints)

sheets: 1016 by 762 mm 40 by 30 in

The prints are in good condition and the sheets are full. (The versos tightly hinged to the backboards and not examined. Four prints examined out of the frames.)

The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

In between the celebrity portraiture which helped make him famous and the more fictional characters that comprised Warhol’s 1980s portfolios such as Ads or Myths came the 1979 publication of Grapes. This set of six prints presents alternating views of a bunch of grapes, reduced to the artist’s selection of improbable color combinations, stripping the subject of any context. It is a question presented by any Warhol image - is what he has reduced to two dimensions, be it a person or an object, more simple or more complex than heretofore believed?