GERVASIO GATTI  |  PORTRAIT OF A BOY IN STRIPED DOUBLET AND WHITE RUFF, HIS LEFT ARM ON HIS HIP AND RIGHT RESTING ON A TABLE WITH AN OPEN BOOK, HALF-LENGTH
GERVASIO GATTI  |  PORTRAIT OF A BOY IN STRIPED DOUBLET AND WHITE RUFF, HIS LEFT ARM ON HIS HIP AND RIGHT RESTING ON A TABLE WITH AN OPEN BOOK, HALF-LENGTH
GERVASIO GATTI  |  PORTRAIT OF A BOY IN STRIPED DOUBLET AND WHITE RUFF, HIS LEFT ARM ON HIS HIP AND RIGHT RESTING ON A TABLE WITH AN OPEN BOOK, HALF-LENGTH
GERVASIO GATTI  |  PORTRAIT OF A BOY IN STRIPED DOUBLET AND WHITE RUFF, HIS LEFT ARM ON HIS HIP AND RIGHT RESTING ON A TABLE WITH AN OPEN BOOK, HALF-LENGTH
GERVASIO GATTI  |  PORTRAIT OF A BOY IN STRIPED DOUBLET AND WHITE RUFF, HIS LEFT ARM ON HIS HIP AND RIGHT RESTING ON A TABLE WITH AN OPEN BOOK, HALF-LENGTH
GERVASIO GATTI  |  PORTRAIT OF A BOY IN STRIPED DOUBLET AND WHITE RUFF, HIS LEFT ARM ON HIS HIP AND RIGHT RESTING ON A TABLE WITH AN OPEN BOOK, HALF-LENGTH
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GERVASIO GATTI | PORTRAIT OF A BOY IN STRIPED DOUBLET AND WHITE RUFF, HIS LEFT ARM ON HIS HIP AND RIGHT RESTING ON A TABLE WITH AN OPEN BOOK, HALF-LENGTH

Estimate: 15,000 - 20,000 USD

GERVASIO GATTI | PORTRAIT OF A BOY IN STRIPED DOUBLET AND WHITE RUFF, HIS LEFT ARM ON HIS HIP AND RIGHT RESTING ON A TABLE WITH AN OPEN BOOK, HALF-LENGTH

Estimate: 15,000 - 20,000 USD

Lot sold:23,750USD
(7 bids, reserve met)

Description

GERVASIO GATTI

Cremona 1549-1631

PORTRAIT OF A BOY IN STRIPED DOUBLET AND WHITE RUFF, HIS LEFT ARM ON HIS HIP AND RIGHT RESTING ON A TABLE WITH AN OPEN BOOK, HALF-LENGTH


oil on canvas

canvas: 26½ by 21½ in.; 67.5 by 54.7 cm.

framed: 32 by 28 in.; 81.3 by 71.1 cm.


Condition Report

The canvas is wax lined and appears to have a newer strip lining. A striking portrait image reads very well with the fine lace of the collar preserved. A thin line of frame abrasion is visible at the left and right edges where the edge of the canvas is visible. No other losses are visible to the naked eye. Under UV inspection, the varnish fluoresces unevenly and retouching to address the aforementioned frame abrasion is visible. Very small dots of retouching are scattered throughout with one concentrated area in the background to the right of the boy's head. The retouching is very finely applied and relatively minor in the costume and the face. Painting is in overall good condition and can hang as is. Offered in a decoratively carved giltwood frame.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Provenance

Private collection;

Anonymous sale, London, Sotheby's, 8 December 2011, lot 119;

There acquired.

Literature

L'Arte delle Donne dal Rinascimento al Surrealismo, exhibition catalogue, Milan 2007, unnumbered, reproduced on frontispiece (as by Sofonisba Anguissola).

Exhibited

Milan, Palazzo Reale, L'Arte delle Donne dal Rinascimento al Surrealismo, 5 December 2007 - 9 March 2008, unnumbered (as by Sofonisba Anguissola).

Catalogue Note

This lovely portrait of a young boy was previously exhibited as the work of Sofonisba Anguissola, who trained with Gervasio Gatti in the workshop of his uncle, Bernardino Gatti, known as Sojaro. Gervasio worked alongside his uncle on commissions for the Farnese court in Parma. His portraits are notable for the porcelain-like features of their faces, the attention to fine details in costume and armor, and the stately poses and expressions, all of which combine here for an impressive image that belies the sitter's young age.

GERVASIO GATTI  |  PORTRAIT OF A BOY IN STRIPED DOUBLET AND WHITE RUFF, HIS LEFT ARM ON HIS HIP AND RIGHT RESTING ON A TABLE WITH AN OPEN BOOK, HALF-LENGTH
GERVASIO GATTI | PORTRAIT OF A BOY IN STRIPED DOUBLET AND WHITE RUFF, HIS LEFT ARM ON HIS HIP AND RIGHT RESTING ON A TABLE WITH AN OPEN BOOK, HALF-LENGTH
Lot Closed