CIRCLE OF LUCA FERRARI | PARIS HOLDING THE GOLDEN APPLE
Sold without Reserve
CIRCLE OF LUCA FERRARI
Reggio Emilia 1605 - 1654 Padua
PARIS HOLDING THE GOLDEN APPLE
oil on canvas, unframed
canvas: 34 by 26¾ in.; 86.4 by 67.9 cm.
The canvas is lined. The image reads well and presents a handsome sitter. Some details in the shadows have sunken, like the hair in the background. Very few and small dots of loss are at right in the laurel crown. Inspection under UV reveals scattered spots of retouching and repair throughout, like at left of the sitter’s neck and another in his proper left shoulder. Offered unframed.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.
This composition derives from Luca Ferrari's Paris dating to circa 1644 in the Cassa di Risparmio, Reggio Emilia.1
1. Oil on canvas, 70 by 60 cm. See M. Pirondini, Luca Ferrari, Reggio Emilia 1999, p. 139, cat. no. 32, reproduced.