AUGUSTE JEAN-BAPTISTE VINCHON | THE RUINS OF DOMITIAN'S VILLA AT CASTEL GANDOLFO WITH THE CHAPEL OF THE VIRGIN MARY
Property of a Lady Sold without Reserve
AUGUSTE JEAN-BAPTISTE VINCHON | THE RUINS OF DOMITIAN'S VILLA AT CASTEL GANDOLFO WITH THE CHAPEL OF THE VIRGIN MARY
Lot Closed
AUGUSTE JEAN-BAPTISTE VINCHON | THE RUINS OF DOMITIAN'S VILLA AT CASTEL GANDOLFO WITH THE CHAPEL OF THE VIRGIN MARY
AUGUSTE JEAN-BAPTISTE VINCHON | THE RUINS OF DOMITIAN'S VILLA AT CASTEL GANDOLFO WITH THE CHAPEL OF THE VIRGIN MARY
AUGUSTE JEAN-BAPTISTE VINCHON | THE RUINS OF DOMITIAN'S VILLA AT CASTEL GANDOLFO WITH THE CHAPEL OF THE VIRGIN MARY
AUGUSTE JEAN-BAPTISTE VINCHON | THE RUINS OF DOMITIAN'S VILLA AT CASTEL GANDOLFO WITH THE CHAPEL OF THE VIRGIN MARY
AUGUSTE JEAN-BAPTISTE VINCHON | THE RUINS OF DOMITIAN'S VILLA AT CASTEL GANDOLFO WITH THE CHAPEL OF THE VIRGIN MARY
AUGUSTE JEAN-BAPTISTE VINCHON | THE RUINS OF DOMITIAN'S VILLA AT CASTEL GANDOLFO WITH THE CHAPEL OF THE VIRGIN MARY
597

AUGUSTE JEAN-BAPTISTE VINCHON | THE RUINS OF DOMITIAN'S VILLA AT CASTEL GANDOLFO WITH THE CHAPEL OF THE VIRGIN MARY

Estimate: 2,000 - 4,000 USD

Property of a Lady Sold without Reserve

AUGUSTE JEAN-BAPTISTE VINCHON | THE RUINS OF DOMITIAN'S VILLA AT CASTEL GANDOLFO WITH THE CHAPEL OF THE VIRGIN MARY

AUGUSTE JEAN-BAPTISTE VINCHON | THE RUINS OF DOMITIAN'S VILLA AT CASTEL GANDOLFO WITH THE CHAPEL OF THE VIRGIN MARY

Estimate: 2,000 - 4,000 USD
Lot sold:3,500USD
(26 bids, reserve met)

Description

Property of a Lady

Sold without Reserve

AUGUSTE JEAN-BAPTISTE VINCHON

Paris 1789- 1855 Bad Ems

THE RUINS OF DOMITIAN'S VILLA AT CASTEL GANDOLFO WITH THE CHAPEL OF THE VIRGIN MARY


oil on paper, laid down on canvas

canvas: 10 by 15½ in.; 25.4 by 39.4 cm.

framed: 15 by 20 in.; 38.1 by 50.8 cm.

Condition report

Paper is laid on canvas. A beautiful image reads well with some of its loose strokes and layering of the paint well preserved, like at center on the sky. Minor abrasions are along bottom edge, though these are not distracting. Inspection under UV reveals scattered spots of retouching to the sky, like on the upper right corner. Varnish fluoresces unevenly under UV, with some minor inconsistency to the tall trees at right. Painting can hang as is. Offered in a giltwood frame.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Provenance

With Simon Dickinson Inc, New York;

Where acquired by the present collector circa 1999.

Literature

Rome and The Campagna: Oil sketches by Auguste Jean-Baptiste Vinchon and other French artists, exhibition catalogue, New York 1999, pp. 14-5, cat. no. 16, reproduced.

Exhibited

New York, Dickinson Roundell, Rome and The Campagna: Oil sketches by Auguste Jean-Baptiste Vinchon and other French artists, 6 May - 3 June 1999, no. 16.

Catalogue note

A native of Paris, Vinchon was a pupil of Gioacchino Giuseppe Serangeli (1768-1852) and Jacques-Louis David (1748-1825). He went to Rome where he won second prize in the Prix de Rome in 1813, and the Grand Prix in the following year. While in Rome, aside from making copies of the Antique and Old Masters, Vinchon made copious oil sketches of the city and surrounding campagna. Although it was common to make landscape sketches in oil since the 17th century, it was not until the late 18th century that it became an established practice. Unlike with drawings, these oil sketches presented an additional challenge: color. They became a useful tool for all artists to train in the observation of nature, even if, like Vinchon, they did not intend to specialize in landscape painting. Most of the oil sketches Vinchon painted remain in the permanent collection of Musée des Beaux-Arts, Tours.


This painting depicts the Villa of Domitian, a sumptuous villa built for Emperor Titus Flavius Domitian (81 - 96 AD) in the Alban Hills, overlooking Lake Albano. The ruins in this composition recall a capriccio, while the wild nature depicted with loose strokes heightened by the daylight create an atmospheric sense of immediacy.