HOUSES IN SUNLIGHT
ROBERT POLHILL BEVAN

HOUSES IN SUNLIGHT

Lot Closed

HOUSES IN SUNLIGHT
HOUSES IN SUNLIGHT
HOUSES IN SUNLIGHT
HOUSES IN SUNLIGHT
HOUSES IN SUNLIGHT
HOUSES IN SUNLIGHT
314

ROBERT POLHILL BEVAN

HOUSES IN SUNLIGHT

Estimate:

250,000 - 350,000 GBP

ROBERT POLHILL BEVAN

ROBERT POLHILL BEVAN

HOUSES IN SUNLIGHT

HOUSES IN SUNLIGHT

Estimate:

250,000 - 350,000 GBP

Lot sold:

277,200

GBP

Description

ROBERT POLHILL BEVAN

1865 - 1925

HOUSES IN SUNLIGHT


signed Bevan (lower right)

oil on canvas

unframed: 50.5 by 61.5cm.; 19¾ by 24¼in.

framed: 69.5 by 79.5cm.; 27¼ by 31¼in.

Executed in 1915.


We are grateful to Patrick Baty for his kind assistance with the cataloguing of the present work. Patrick is currently compiling the catalogue raisonné of the Artist’s work, and would like to hear from owners of any works by Robert Bevan, so that these can be included in this comprehensive catalogue. Please write to Patrick Baty c/o Modern & Post-War British Art, Sotheby’s, 34-35 New Bond Street, London, W1A 2AA, or email modbrit@sothebys.com.

Condition report

The following condition report has been prepared by Hamish Dewar Ltd:


Structural Condition

The canvas is unlined with the artist's stamps on the reverse. The turnover and tacking edges have been strengthened with what appears to be a partial strip-lining and are attached to the stretcher-bars with staples.


Paint surface

The heavily textured and impastoed paint surface appears structurally sound and secure. Inspection under ultraviolet light shows just the most minimal retouchings around the outer turnover edges. There are three very small retouchings in the pale pigments of the sky in the upper left of the composition, three small retouchings on the left of the lower horizontal turnover edge and a line, approximately 2 cm in length, just below the signature. There is also a very small retouching in the lower right corner. It should be stressed that these retouchings are all limited to the turnover edges and would be at least partially covered by the framing sight edge.


Summary

The painting would therefore appear to be in very good and stable condition and no further work is required.


Please telephone the department on +44 207 293 6454 if you have any questions.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

Provenance

The Artist's Wife, 1925

R.A. Bevan, 1951

Mrs Natalie Bevan, 1975

Anthony d’Offay Gallery, London

Acquired by the Mellon Bank, Pittsburgh, by 1986

Hazlitt Holland-Hibbert, London, where acquired by the previous owner

Their sale, Sotheby's, London, 12 June 2017, lot 7, where acquired by the present owner

Literature

Charles Ginner, 'The Camden Town Group', The Studio, Vol. 130, no. 632, November 1945, illustrated p. 129

R.A. Bevan, Robert Bevan 1865-1925: A Memoir by His Son, Studio Vista Limited, London, 1965, illustrated pl. 51

Apollo, April 1975, no. 101, p. 326

Architectural Review, July 1975, no. 158, p. 57

Frances Stenlake, Robert Bevan: from Gauguin to Camden Town, Unicorn Press, London, 2008, pp. 91, 142, 148

Exhibited

London, Goupil Gallery, Fourth Exhibition of Works by Members of the London Group, June 1916, no. 69

Paris, Galerie Druet, Exposition d'un Groupe de Peintres Modernes, 27 June - 8 July 1921

London, Royal Watercolour Society Galleries, New English Art Club, 69th Exhibition, 27 December 1923 - 25 January 1924, no. 61

London, Goupil Gallery, Robert Bevan Memorial Exhibition, February 1926, no. 155 (as Houses in Sunlight, Hampstead)

Brighton, Brighton Public Art Galleries, Robert Bevan Memorial Exhibition, August 1926, no. 40 (as Houses in Sunlight, Hampstead)

Southampton, City Art Gallery, The Camden Town Group, 1951, no. 11 (as Houses in Sunlight, Hampstead, dated circa 1914-5)

London, Colnaghi & Co, Robert Bevan, 1961, no. 17 (dated 1914)

Colchester, The Minories, Robert Bevan Centenary Exhibition, 1965, no. 27, illustrated in the catalogue pl. VII

London, Colnaghi & Co, Robert Bevan 1865-1925, Centenary Exhibition, 23 March – 13 April 1965, no. 37, illustrated in the catalogue pl. VII

Oxford, Ashmolean Museum, Robert Bevan Centenary Exhibition, April - May 1965, no. 37, illustrated in the catalogue pl. VII

London, Hampstead Town Hall, Camden Town Group: Hampstead Festival 1965, 21 May - 4 June 1965, no. 6

Colchester, The Minories, The R.A. Bevan Collection from Boxted House, 1975, no. 25

London, Anthony d’Offay Gallery, English Paintings from the Bevan Collection, 16 April – 9 May 1975, no. 6, illustrated in the catalogue

New Haven, Yale Center for British Art, The Camden Town Group, 1980, no. 11, illustrated in the catalogue