PROPERTY FROM A DISTINGUISHED NEW YORK PRIVATE COLLECTION
A RARE BLUE AND WHITE ‘PEACOCK’ MEIPING, MING DYNASTY, MID-15TH CENTURY
A RARE BLUE AND WHITE ‘PEACOCK’ MEIPING
MING DYNASTY, MID-15TH CENTURY
robustly potted with high broad round shoulders sloping down towards the tapered body and gently splayed foot, painted with a central register of a pair of peacocks amidst large blossoming peonies and pierced rockwork, framed above by pendent ornaments suspended within a cloud-lappet collar reserved on a cell diaper ground, the foot encircled by a border of upright lappets, the short tapering neck painted with a classic scroll border
Height 13¼ in, 33.6 cm
With a network of small cracks running from the mouth down the neck, to the middle of the collar, and with fritting around the mouth. Ffiring imperfections including kiln chips at the foot. The base has a restored kiln crack. The surface with scratches typical of age.
For more information on and additional videos for this lot, please contact Cindy.Qi@sothebys.com.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Sotheby's London, 1st March 1946, lot 14.
Bluett & Sons, London.
Collection of Robert C. Bruce, Esq (1898-1953).
Sotheby's London, 12th May 1953, lot 88.
Bluett & Sons, London.
Collection of Mrs Walter Sedgwick (1883-1967).
Sotheby’s London, 2nd July 1968, lot 132.
William Clayton Ltd., London, 29th July 1968.
Bluett & Sons，倫敦
Robert C. Bruce (1898-1953) 收藏
Bluett & Sons，倫敦
Walter Sedgwick 夫人 (1883-1967) 收藏
William Clayton Ltd.，倫敦，1968年7月29日
Ming Blue and White Porcelain, The Oriental Ceramic Society, London, 1946, cat. no. 54.
The Cosmopolitan Club, New York, 18th September - 22nd October 1979.
《Ming Blue and White Porcelain》，東方陶瓷學會，倫敦，1946年，編號54
The Cosmopolitan Club，紐約，1979年9月18日至10月22日
This meiping bears many of the characteristics of wares of the Interregnum period (1436-1464), in particular the deep inky cobalt-blue used in a fairly liquid solution. Peacocks and peonies were a popular design to decorate meiping vases at that time. Compare a vase with this design, excavated in Nanjing and now in the Nanjing Museum, which has been attributed to the Xuande period (1426-1435), in Complete Collection of Ceramic Art Unearthed in China, Beijing, 2008, vol. 7, pl. 189; and to the Zhengtong period (1436-1449) in Zhang Pusheng and Huo Hua, San yi Ming kongbaiqi qinghua ci [Three thoughts on Interregnum blue-and-white porcelain], Zhuo shuo zhong xian. Shiwu shiji zhongqi Jingdezhen ciqi guoji xueshu yantaohui lunwen gao/Lustre Revealed. Proceedings of the International Symposium on Jingdezhen Porcelain in Mid Fifteenth Century, Shanghai, 2019, p. 75, figs 1-1 and 1-2. Compare also a jar in the Tianminlou Collection with peacocks among peonies and a similar diaper border around the shoulder, and a meiping with peacocks among peonies in the Shanghai Museum, both attributed to the Interregnum period, and another meiping with this design in the Palace Museum, Beijing, attributed to the Zhengtong reign, included in the exhibition catalogue Zhuo shuo zhong xian. Shiwu shiji zhongqi Jingdezhen ciqi teji/Lustre Revealed. Jingdezhen Porcelain in Mid Fifteenth Century China, Shanghai Museum, 2019, cat. nos 226, 239, and 240. Further examples of meiping with this subject include one in the Museum of Fine Arts, Boston, included in the exhibition, The Charles B. Hoyt Collection. Memorial Exhibition, Boston, 1952, cat. no. 390, attributed to the Xuande period; another in the Roemer Museum, Hildesheim, illustrated in Ulrich Wiesner, Chinesisches Porzellan, Mainz, 1981, p. 56, pl. 4, attributed to the 15th century.