View full screen - View 1 of Lot 23. UTAGAWA HIROSHIGE I (1797–1858), THREE PRINTS: SHIRASUKA: VIEW OF SHIOMIZAKA (SHIRASUKA, SHIOMIZAKA ZU), FUTAKAWA: MONKEY PLATEAU (FUTAKAWA, SARUGABABA) AND KAMEYAMA: CLEAR WEATHER AFTER SNOW (KAMEYAMA, YUKIBARE) | EDO PERIOD, 19TH CENTURY.
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UTAGAWA HIROSHIGE I (1797–1858), THREE PRINTS: SHIRASUKA: VIEW OF SHIOMIZAKA (SHIRASUKA, SHIOMIZAKA ZU), FUTAKAWA: MONKEY PLATEAU (FUTAKAWA, SARUGABABA) AND KAMEYAMA: CLEAR WEATHER AFTER SNOW (KAMEYAMA, YUKIBARE) | EDO PERIOD, 19TH CENTURY

THE PROPERTY OF A EUROPEAN COLLECTOR

UTAGAWA HIROSHIGE I (1797–1858), THREE PRINTS: SHIRASUKA: VIEW OF SHIOMIZAKA (SHIRASUKA, SHIOMIZAKA ZU), FUTAKAWA: MONKEY PLATEAU (FUTAKAWA, SARUGABABA) AND KAMEYAMA: CLEAR WEATHER AFTER SNOW (KAMEYAMA, YUKIBARE) | EDO PERIOD, 19TH CENTURY

UTAGAWA HIROSHIGE I (1797–1858), THREE PRINTS: SHIRASUKA: VIEW OF SHIOMIZAKA (SHIRASUKA, SHIOMIZAKA ZU), FUTAKAWA: MONKEY PLATEAU (FUTAKAWA, SARUGABABA) AND KAMEYAMA: CLEAR WEATHER AFTER SNOW (KAMEYAMA, YUKIBARE) | EDO PERIOD, 19TH CENTURY

THE PROPERTY OF A EUROPEAN COLLECTOR

UTAGAWA HIROSHIGE I (1797–1858)

EDO PERIOD, 19TH CENTURY

THREE PRINTS: SHIRASUKA: VIEW OF SHIOMIZAKA (SHIRASUKA, SHIOMIZAKA ZU), FUTAKAWA: MONKEY PLATEAU (FUTAKAWA, SARUGABABA) AND KAMEYAMA: CLEAR WEATHER AFTER SNOW (KAMEYAMA, YUKIBARE)


three woodblock prints, from the series Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi), signed Hiroshige ga, published by Takenouchi Magohachi (Hoeidô), circa 1833–34 (Tenpô 4–5)

All horizontal ôban:

The First: 24.2 x 36.2 cm., 9 5⁄8 x 14 1⁄4 in.

The Second: 25 x 38.2 cm., 9 3⁄4 x 15 1⁄8 in.

The Third: 25.3 x 37.9 cm., 10 x 15 in.

(3)


Please note: Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.


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Generally good impressions and colours.

- first print: slightly toned margins, some trimming, some restoration, light soiling, and attached paper hinges.

- second print: some small restorations and very light foxing.

- third print: some small restorations within the margin and very light soiling to margins.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

The first print was exhibited at Le Musée National des Arts Asiatiques - Guimet, July-October 2019

The first print is no.33, the second print is no.34 and the third print is no.47 in the series.