Fine Japanese Art

15 May 2020•14:00 BST

•London

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Fine Japanese Art

Fine Japanese Art

Fine Japanese Art

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97 results sorted by Lot number (low to high)

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Lot number (low to high)

UTAGAWA HIROSHIGE I (1797–1858), WINTER: SNOW ON THE SUMIDA RIVER (FUYU, SUMIDAGAWA NO YUKI) | EDO PERIOD, 19TH CENTURY

1. UTAGAWA HIROSHIGE I (1797–1858), WINTER: SNOW ON THE SUMIDA RIVER (FUYU, SUMIDAGAWA NO YUKI) | EDO PERIOD, 19TH CENTURY

UTAGAWA HIROSHIGE I (1797-1858), MOUNT ARIMA IN SETTSU PROVINCE (SETTSU ARIMAYAMA) | EDO PERIOD, 19TH CENTURY

2. UTAGAWA HIROSHIGE I (1797-1858), MOUNT ARIMA IN SETTSU PROVINCE (SETTSU ARIMAYAMA) | EDO PERIOD, 19TH CENTURY

UTAGAWA HIROSHIGE I (1797-1858), MALLARD DUCK AND SNOW-COVERED REEDS | EDO PERIOD, 19TH CENTURY

3. UTAGAWA HIROSHIGE I (1797-1858), MALLARD DUCK AND SNOW-COVERED REEDS | EDO PERIOD, 19TH CENTURY

KATSUSHIKA HOKUSAI (1760–1849), POEM BY ABE NO NAKAMARO | EDO PERIOD, 19TH CENTURY

4. KATSUSHIKA HOKUSAI (1760–1849), POEM BY ABE NO NAKAMARO | EDO PERIOD, 19TH CENTURY

UTAGAWA HIROSHIGE I (1797–1858), EIGHT VIEWS OF ÔMI: MIIDERA, ISHIYAMA, SETA | EDO PERIOD, 19TH CENTURY

5. UTAGAWA HIROSHIGE I (1797–1858), EIGHT VIEWS OF ÔMI: MIIDERA, ISHIYAMA, SETA | EDO PERIOD, 19TH CENTURY

UTAGAWA HIROSHIGE I (1797–1858), A TRIPTYCH: IMAGINARY SCENE OF A PRIVATE KABUKI PERFORMANCE (MITATE ZASHIKI KYÔGEN, SANMAITSUZUKI); THREE PRINTS FROM FLOURISHING BUSINESS IN BALLADTOWN; SEVEN PRINTS FROM IMPROVISED SHADOW PICTURES | EDO PERIOD, 19TH CENTURY

6. UTAGAWA HIROSHIGE I (1797–1858), A TRIPTYCH: IMAGINARY SCENE OF A PRIVATE KABUKI PERFORMANCE (MITATE ZASHIKI KYÔGEN, SANMAITSUZUKI); THREE PRINTS FROM FLOURISHING BUSINESS IN BALLADTOWN; SEVEN PRINTS FROM IMPROVISED SHADOW PICTURES | EDO PERIOD, 19TH CENTURY

UTAGAWA HIROSHIGE I (1797–1858), EVENING COOL IN RYOGOKU (RYÔGOKU YU-ZUZUMI) AND MOON AT NIGHT (TSUKI NO YU-SUZUMI) | EDO PERIOD, 19TH CENTURY

7. UTAGAWA HIROSHIGE I (1797–1858), EVENING COOL IN RYOGOKU (RYÔGOKU YU-ZUZUMI) AND MOON AT NIGHT (TSUKI NO YU-SUZUMI) | EDO PERIOD, 19TH CENTURY

UTAGAWA HIROSHIGE I (1797–1858), TWO TRIPTYCHS: VIEW OF FUTAMIGAURA (FUTAMIGAURA NO ZU) AND KASUMIGASEKI | EDO PERIOD, 19TH CENTURY

8. UTAGAWA HIROSHIGE I (1797–1858), TWO TRIPTYCHS: VIEW OF FUTAMIGAURA (FUTAMIGAURA NO ZU) AND KASUMIGASEKI | EDO PERIOD, 19TH CENTURY

UTAGAWA HIROSHIGE I (1797–1858), TWENTY PRINTS FROM THE UNTITLED SERIES OF LARGE FISH (UOZUKUSHI) | EDO PERIOD, 19TH CENTURY

9. UTAGAWA HIROSHIGE I (1797–1858), TWENTY PRINTS FROM THE UNTITLED SERIES OF LARGE FISH (UOZUKUSHI) | EDO PERIOD, 19TH CENTURY

UTAGAWA HIROSHIGE I (1797–1858), KAWASAKI: THE ROKUGÔ FERRY (KAWASAKI, ROKUGÔ  WATASHIBUNE) | EDO PERIOD, 19TH CENTURY

10. UTAGAWA HIROSHIGE I (1797–1858), KAWASAKI: THE ROKUGÔ FERRY (KAWASAKI, ROKUGÔ WATASHIBUNE) | EDO PERIOD, 19TH CENTURY

UTAGAWA HIROSHIGE I (1797–1858), THREE PRINTS: FUCHÛ: THE ABE RIVER (FUCHÛ, ABEKAWA), KANAYA: THE FAR BANK OF THE ÔI RIVER (KANAYA, ÔIGAWA ENGAN) AND ISHIYAKUSHI: ISHIYAKUSHI TEMPLE (ISHIYAKUSHI, ISHIYAKUSHI-JI) | EDO PERIOD, 19TH CENTURY

11. UTAGAWA HIROSHIGE I (1797–1858), THREE PRINTS: FUCHÛ: THE ABE RIVER (FUCHÛ, ABEKAWA), KANAYA: THE FAR BANK OF THE ÔI RIVER (KANAYA, ÔIGAWA ENGAN) AND ISHIYAKUSHI: ISHIYAKUSHI TEMPLE (ISHIYAKUSHI, ISHIYAKUSHI-JI) | EDO PERIOD, 19TH CENTURY

UTAGAWA HIROSHIGE I (1797–1858), FOUR PRINTS: HODOGAYA: SHINMACHI BRIDGE (HODOGAYA, SHINMACHI-BASHI), FUJISAWA: THE YÛGYÔ-JI TEMPLE (FUJISAWA, YÛGYÔ-JI), OKITSU: THE OKITSU RIVER (OKITSU, OKITSUGAWA) AND YOSHIDA: THE TOYOKAWA RIVER BRIDGE (YOSHIDA, TOYOKAWABASHI) | EDO PERIOD, 19TH CENTURY

12. UTAGAWA HIROSHIGE I (1797–1858), FOUR PRINTS: HODOGAYA: SHINMACHI BRIDGE (HODOGAYA, SHINMACHI-BASHI), FUJISAWA: THE YÛGYÔ-JI TEMPLE (FUJISAWA, YÛGYÔ-JI), OKITSU: THE OKITSU RIVER (OKITSU, OKITSUGAWA) AND YOSHIDA: THE TOYOKAWA RIVER BRIDGE (YOSHIDA, TOYOKAWABASHI) | EDO PERIOD, 19TH CENTURY

UTAGAWA HIROSHIGE I (1797–1858), MARIKO: FAMOUS TEA SHOP (MARIKO, MEIBUTSU CHAMISE) | EDO PERIOD, 19TH CENTURY

13. UTAGAWA HIROSHIGE I (1797–1858), MARIKO: FAMOUS TEA SHOP (MARIKO, MEIBUTSU CHAMISE) | EDO PERIOD, 19TH CENTURY

UTAGAWA HIROSHIGE I (1797–1858), TWO PRINTS: TOTSUKA: MOTOMACHI FORK (TOTSUKA, MOTOMACHI BETSUDÔ) AND AKASAKA: INN WITH SERVING MAIDS (AKASAKA, RYOSHA SHÔFU NO ZU) | EDO PERIOD, 19TH CENTURY

14. UTAGAWA HIROSHIGE I (1797–1858), TWO PRINTS: TOTSUKA: MOTOMACHI FORK (TOTSUKA, MOTOMACHI BETSUDÔ) AND AKASAKA: INN WITH SERVING MAIDS (AKASAKA, RYOSHA SHÔFU NO ZU) | EDO PERIOD, 19TH CENTURY

UTAGAWA HIROSHIGE I (1797–1858), FOUR PRINTS: SHIRASUKA: VIEW OF SHIOMIZAKA (SHIRASUKA, SHIOMIZAKA ZU), MINAKUCHI: NOTED PICKLES (MINAKUCHI, MEIBUTSU KAMPYÔ), KUSATSU: FAMOUS POST HOUSE (KUSATSU, MEIBUTSU TATEBA) AND ÔTSU: HASHIRII TEAHOUSE (ÔTSU, HASHIRII CHAYA) | EDO PERIOD, 19TH CENTURY

15. UTAGAWA HIROSHIGE I (1797–1858), FOUR PRINTS: SHIRASUKA: VIEW OF SHIOMIZAKA (SHIRASUKA, SHIOMIZAKA ZU), MINAKUCHI: NOTED PICKLES (MINAKUCHI, MEIBUTSU KAMPYÔ), KUSATSU: FAMOUS POST HOUSE (KUSATSU, MEIBUTSU TATEBA) AND ÔTSU: HASHIRII TEAHOUSE (ÔTSU, HASHIRII CHAYA) | EDO PERIOD, 19TH CENTURY

UTAGAWA HIROSHIGE I (1797–1858), THREE PRINTS: EJIRI: DISTANT VIEW OF MIHO (EJIRI, MIHO ENBÔ), MITSUKE: TENRYÛ RIVER VIEW (MITSUKE, TENRYÛGAWA ZU) AND ARAI: FERRYBOAT (ARAI, WATASHIBUNE NO ZU) | EDO PERIOD, 19TH CENTURY

16. UTAGAWA HIROSHIGE I (1797–1858), THREE PRINTS: EJIRI: DISTANT VIEW OF MIHO (EJIRI, MIHO ENBÔ), MITSUKE: TENRYÛ RIVER VIEW (MITSUKE, TENRYÛGAWA ZU) AND ARAI: FERRYBOAT (ARAI, WATASHIBUNE NO ZU) | EDO PERIOD, 19TH CENTURY

UTAGAWA HIROSHIGE I (1797–1858), FOUR PRINTS: KANAYA: THE FAR BANK OF THE ÔI RIVER (KANAYA, ÔIGAWA ENGAN), NISSAKA: SAYO MOUNTAIN PASS (NISSAKA, SAYO NO NAKAYAMA), MAISAKA: VIEW OF IMAGIRI (MAISAKA, IMAGIRI SHINKEI) AND SAKANOSHITA: FUDESUTE MOUNTAIN (SAKANOSHITA, FUDESUTE MINE) | EDO PERIOD, 19TH CENTURY

17. UTAGAWA HIROSHIGE I (1797–1858), FOUR PRINTS: KANAYA: THE FAR BANK OF THE ÔI RIVER (KANAYA, ÔIGAWA ENGAN), NISSAKA: SAYO MOUNTAIN PASS (NISSAKA, SAYO NO NAKAYAMA), MAISAKA: VIEW OF IMAGIRI (MAISAKA, IMAGIRI SHINKEI) AND SAKANOSHITA: FUDESUTE MOUNTAIN (SAKANOSHITA, FUDESUTE MINE) | EDO PERIOD, 19TH CENTURY

UTAGAWA HIROSHIGE I (1797–1858), FOUR PRINTS: FUJIEDA: CHANGING PORTERS AND HORSES (FUJIEDA, JINBA TSUGITATE), NARUMI: FAMOUS ARIMATSU TIE-DYED FABRIC (NARUMI, MEIBUTSU ARIMATSU SHIBORI), MIYA: FESTIVAL OF THE ATSUTA SHRINE (MIYA, ATSUTA SHINJI) AND KUSATSU: FAMOUS POST HOUSE (KUSATSU, MEIBUTSU TATEBA) | EDO PERIOD, 19TH CENTURY

18. UTAGAWA HIROSHIGE I (1797–1858), FOUR PRINTS: FUJIEDA: CHANGING PORTERS AND HORSES (FUJIEDA, JINBA TSUGITATE), NARUMI: FAMOUS ARIMATSU TIE-DYED FABRIC (NARUMI, MEIBUTSU ARIMATSU SHIBORI), MIYA: FESTIVAL OF THE ATSUTA SHRINE (MIYA, ATSUTA SHINJI) AND KUSATSU: FAMOUS POST HOUSE (KUSATSU, MEIBUTSU TATEBA) | EDO PERIOD, 19TH CENTURY

UTAGAWA HIROSHIGE I (1797–1858), GOYU: WOMEN STOPPING TRAVELLERS (GOYU, TABIBITO TOMERU ONNA) | EDO PERIOD, 19TH CENTURY

19. UTAGAWA HIROSHIGE I (1797–1858), GOYU: WOMEN STOPPING TRAVELLERS (GOYU, TABIBITO TOMERU ONNA) | EDO PERIOD, 19TH CENTURY

UTAGAWA HIROSHIGE I (1797–1858), THREE PRINTS: NUMAZU: TWILIGHT (NUMAZU, TASOGARE ZU), YOSHIWARA: MOUNT FUJI ON THE LEFT (YOSHIWARA, HIDARI FUJI) AND OKITSU: THE OKITSU RIVER (OKITSU, OKITSUGAWA) | EDO PERIOD, 19TH CENTURY

20. UTAGAWA HIROSHIGE I (1797–1858), THREE PRINTS: NUMAZU: TWILIGHT (NUMAZU, TASOGARE ZU), YOSHIWARA: MOUNT FUJI ON THE LEFT (YOSHIWARA, HIDARI FUJI) AND OKITSU: THE OKITSU RIVER (OKITSU, OKITSUGAWA) | EDO PERIOD, 19TH CENTURY

UTAGAWA HIROSHIGE I (1797–1858), FOUR PRINTS: HIRATSUKA: NAWATE ROAD (HIRATSUKA, NAWATE MICHI), YUI: SATTA PEAK (YUI, SATTA MINE), OKABE: UTSU MOUNTAIN (OKABE, UTSU NO YAMA) AND HAMAMATSU: WINTER SCENE (HAMAMATSU, FUYUGARE NO ZU) | EDO PERIOD, 19TH CENTURY

21. UTAGAWA HIROSHIGE I (1797–1858), FOUR PRINTS: HIRATSUKA: NAWATE ROAD (HIRATSUKA, NAWATE MICHI), YUI: SATTA PEAK (YUI, SATTA MINE), OKABE: UTSU MOUNTAIN (OKABE, UTSU NO YAMA) AND HAMAMATSU: WINTER SCENE (HAMAMATSU, FUYUGARE NO ZU) | EDO PERIOD, 19TH CENTURY

UTAGAWA HIROSHIGE I (1797–1858), THREE PRINTS: KAKEGAWA: VIEW OF AKIBA MOUNTAIN (KAKEGAWA, AKIBA-SAN ENBÔ),  OKAZAKI: YAHAGI BRIDGE (OKAZAKI, YAHAGI NO HASHI) AND KYOTO: THE GREAT BRIDGE AT SANJÔ (KEISHI, SANJÔ ÔHASHI) | EDO PERIOD, 19TH CENTURY

22. UTAGAWA HIROSHIGE I (1797–1858), THREE PRINTS: KAKEGAWA: VIEW OF AKIBA MOUNTAIN (KAKEGAWA, AKIBA-SAN ENBÔ), OKAZAKI: YAHAGI BRIDGE (OKAZAKI, YAHAGI NO HASHI) AND KYOTO: THE GREAT BRIDGE AT SANJÔ (KEISHI, SANJÔ ÔHASHI) | EDO PERIOD, 19TH CENTURY

UTAGAWA HIROSHIGE I (1797–1858), THREE PRINTS: SHIRASUKA: VIEW OF SHIOMIZAKA (SHIRASUKA, SHIOMIZAKA ZU), FUTAKAWA: MONKEY PLATEAU (FUTAKAWA, SARUGABABA) AND KAMEYAMA: CLEAR WEATHER AFTER SNOW (KAMEYAMA, YUKIBARE) | EDO PERIOD, 19TH CENTURY

23. UTAGAWA HIROSHIGE I (1797–1858), THREE PRINTS: SHIRASUKA: VIEW OF SHIOMIZAKA (SHIRASUKA, SHIOMIZAKA ZU), FUTAKAWA: MONKEY PLATEAU (FUTAKAWA, SARUGABABA) AND KAMEYAMA: CLEAR WEATHER AFTER SNOW (KAMEYAMA, YUKIBARE) | EDO PERIOD, 19TH CENTURY

UTAGAWA HIROSHIGE I (1797–1858), THREE PRINTS: SHIMADA: THE SURUGA BANK OF THE ÔI RIVER (SHIMADA, ÔIGAWA SUNGAN), FUKUROI: TEA STALL (FUKUROI, DEJAYA NO ZU) AND FUJIKAWA;SCENE AT POST OUTSKIRTS (FUJIKAWA, BÔHANA NO ZU) | EDO PERIOD, 19TH CENTURY

24. UTAGAWA HIROSHIGE I (1797–1858), THREE PRINTS: SHIMADA: THE SURUGA BANK OF THE ÔI RIVER (SHIMADA, ÔIGAWA SUNGAN), FUKUROI: TEA STALL (FUKUROI, DEJAYA NO ZU) AND FUJIKAWA;SCENE AT POST OUTSKIRTS (FUJIKAWA, BÔHANA NO ZU) | EDO PERIOD, 19TH CENTURY

UTAGAWA HIROSHIGE I (1797–1858), MEGURO DRUM BRIDGE AND SUNSET HILL (MEGURO TAIKOBASHI YÛHINOOKA) | EDO PERIOD, 19TH CENTURY

25. UTAGAWA HIROSHIGE I (1797–1858), MEGURO DRUM BRIDGE AND SUNSET HILL (MEGURO TAIKOBASHI YÛHINOOKA) | EDO PERIOD, 19TH CENTURY

UTAGAWA HIROSHIGE (1797–1858), FOUR PRINTS: VIEW OF NIHONBASHI TÔRI-ITCHÔME (NIHONBASHI TÔRI-ITCHÔME RYAKUZU); ZÔJÔJI PAGODA AND AKABANE (ZÔJÔJI-TÔ AKABANE); SILK-GOODS LANE, ÔDENMA-CHÔ (ÔDENMA-CHÔ GOFUKUDANA); AND VIEW OF KÔNODAI AND THE TONE RIVER (KÔNODAI TONEGAWA FÛKEI) | EDO PERIOD, 19TH CENTURY

26. UTAGAWA HIROSHIGE (1797–1858), FOUR PRINTS: VIEW OF NIHONBASHI TÔRI-ITCHÔME (NIHONBASHI TÔRI-ITCHÔME RYAKUZU); ZÔJÔJI PAGODA AND AKABANE (ZÔJÔJI-TÔ AKABANE); SILK-GOODS LANE, ÔDENMA-CHÔ (ÔDENMA-CHÔ GOFUKUDANA); AND VIEW OF KÔNODAI AND THE TONE RIVER (KÔNODAI TONEGAWA FÛKEI) | EDO PERIOD, 19TH CENTURY

UTAGAWA HIROSHIGE I (1797–1858), DISTANT VIEW OF KINRYÛZAN TEMPLE AND AZUMA BRIDGE (AZUMABASHI KINRYÛZAN ENBÔ) | EDO PERIOD, 19TH CENTURY

27. UTAGAWA HIROSHIGE I (1797–1858), DISTANT VIEW OF KINRYÛZAN TEMPLE AND AZUMA BRIDGE (AZUMABASHI KINRYÛZAN ENBÔ) | EDO PERIOD, 19TH CENTURY

ATTRIBUTED TO KITAGAWA UTAMARO I (EARLY 1750s–1806), TWO BEAUTIES |  EDO PERIOD, LATE 18TH CENTURY

28. ATTRIBUTED TO KITAGAWA UTAMARO I (EARLY 1750s–1806), TWO BEAUTIES | EDO PERIOD, LATE 18TH CENTURY

UTAGAWA HIROSHIGE I (1797–1858), FOUR PRINTS: YOSHIWARA: MOUNT FUJI ON THE LEFT (YOSHIWARA, HIDARI FUJI); RED MAPLE TREES AT THE TSÛTENKYÔ BRIDGE (TSÛTENKYÔ NO MOMIJI); CHERRY BLOSSOMS IN FULL BLOOM AT ARASHIYAMA (ARASHIYAMA MANKA); TWILIGHT SNOW AT MOUNT HIRA (HIRA BOSETSU) | EDO PERIOD, 19TH CENTURY

29. UTAGAWA HIROSHIGE I (1797–1858), FOUR PRINTS: YOSHIWARA: MOUNT FUJI ON THE LEFT (YOSHIWARA, HIDARI FUJI); RED MAPLE TREES AT THE TSÛTENKYÔ BRIDGE (TSÛTENKYÔ NO MOMIJI); CHERRY BLOSSOMS IN FULL BLOOM AT ARASHIYAMA (ARASHIYAMA MANKA); TWILIGHT SNOW AT MOUNT HIRA (HIRA BOSETSU) | EDO PERIOD, 19TH CENTURY

KATSUSHIKA HOKUSAI (1760–1849), USHIBORI IN HITACHI PROVINCE (JÔSHÛ USHIBORI) | EDO PERIOD, 19TH CENTURY

30. KATSUSHIKA HOKUSAI (1760–1849), USHIBORI IN HITACHI PROVINCE (JÔSHÛ USHIBORI) | EDO PERIOD, 19TH CENTURY

KATSUSHIKA HOKUSAI (1760–1849), POEM BY ONO NO KOMACHI | EDO PERIOD, 19TH CENTURY

31. KATSUSHIKA HOKUSAI (1760–1849), POEM BY ONO NO KOMACHI | EDO PERIOD, 19TH CENTURY

ATTRIBUTED TO KITAGAWA UTAMARO I (C.1753–1806), UTAGAWA TOYOKUNI (1769–1825), UTAGAWA HIROSHIGE I (1797–1858) | EDO PERIOD, LATE 18TH-19TH CENTURY

32. ATTRIBUTED TO KITAGAWA UTAMARO I (C.1753–1806), UTAGAWA TOYOKUNI (1769–1825), UTAGAWA HIROSHIGE I (1797–1858) | EDO PERIOD, LATE 18TH-19TH CENTURY

KATSUSHIKA HOKUSAI (1760–1849), TWO PRINTS: EJIRI IN SURUGA PROVINCE (SUNSHÛ) AND HODOGAYA ON THE TÔKAIDÔ (TÔKAIDÔ HODOGAYA) | EDO PERIOD, 19TH CENTURY

33. KATSUSHIKA HOKUSAI (1760–1849), TWO PRINTS: EJIRI IN SURUGA PROVINCE (SUNSHÛ) AND HODOGAYA ON THE TÔKAIDÔ (TÔKAIDÔ HODOGAYA) | EDO PERIOD, 19TH CENTURY

KATSUSHIKA HOKUSAI (1760–1849), TWO PRINTS: SAZAI HALL AT THE TEMPLE OF THE FIVE HUNDRED ARHATS (GOHYAKU RAKANJI SAZAIDÔ) AND MISHIMA PASS IN KAI PROVINCE (KÔSHÛ MISHIMA-GOE) | EDO PERIOD, 19TH CENTURY

34. KATSUSHIKA HOKUSAI (1760–1849), TWO PRINTS: SAZAI HALL AT THE TEMPLE OF THE FIVE HUNDRED ARHATS (GOHYAKU RAKANJI SAZAIDÔ) AND MISHIMA PASS IN KAI PROVINCE (KÔSHÛ MISHIMA-GOE) | EDO PERIOD, 19TH CENTURY

KATSUSHIKA HOKUSAI (1760–1849), TWO PRINTS: TSUKUDAJIMA IN MUSASHI PROVINCE (BUYÔ TSUKUDA-JIMA) AND LAKE SUWA IN SHINANO PROVINCE (SHINSHÛ SUWA-KO) | EDO PERIOD, 19TH CENTURY

35. KATSUSHIKA HOKUSAI (1760–1849), TWO PRINTS: TSUKUDAJIMA IN MUSASHI PROVINCE (BUYÔ TSUKUDA-JIMA) AND LAKE SUWA IN SHINANO PROVINCE (SHINSHÛ SUWA-KO) | EDO PERIOD, 19TH CENTURY

TORII KOTONDO (1900–1976), SUMMER GEISHA (NATSUKO) | SHOWA PERIOD, 20TH CENTURY

36. TORII KOTONDO (1900–1976), SUMMER GEISHA (NATSUKO) | SHOWA PERIOD, 20TH CENTURY

MUNAKATA SHIKŌ (1903–1975), BEAUTY | SHOWA PERIOD, 20TH CENTURY

37. MUNAKATA SHIKŌ (1903–1975), BEAUTY | SHOWA PERIOD, 20TH CENTURY

KITAGAWA UTAMARO I (EARLY 1750S–1806), COURTESAN SHIRATSUYU OF THE WAKANAYA AND OTOKOYAMA SAKE BY MOMENYA (WAKANAYA UCHI SHIRATSUYU, MOMENYA NO OTOKOYAMA) | EDO PERIOD, LATE 18TH CENTURY

38. KITAGAWA UTAMARO I (EARLY 1750S–1806), COURTESAN SHIRATSUYU OF THE WAKANAYA AND OTOKOYAMA SAKE BY MOMENYA (WAKANAYA UCHI SHIRATSUYU, MOMENYA NO OTOKOYAMA) | EDO PERIOD, LATE 18TH CENTURY

ANONYMOUS, HORSES IN A STABLE | EDO PERIOD, 19TH CENTURY

39. ANONYMOUS, HORSES IN A STABLE | EDO PERIOD, 19TH CENTURY

BERNARD LEACH (1887–1979), JAPANESE WATERFALL | 20TH CENTURY

40. BERNARD LEACH (1887–1979), JAPANESE WATERFALL | 20TH CENTURY

 BERNARD LEACH (1887–1979), VOLCANIC PEAKS, HAWAII | 20TH CENTURY

41. BERNARD LEACH (1887–1979), VOLCANIC PEAKS, HAWAII | 20TH CENTURY

HAMADA SHŌJI | A STONEWARE VASE

42. HAMADA SHŌJI | A STONEWARE VASE

HAMADA SHŌJI (1894–1978), A STONEWARE ALBARELLO VASE | SHOWA PERIOD, 20TH CENTURY

43. HAMADA SHŌJI (1894–1978), A STONEWARE ALBARELLO VASE | SHOWA PERIOD, 20TH CENTURY

A GROUP OF TEN RARE KOGEI MAGAZINES | SHOWA PERIOD, 20TH CENTURY

44. A GROUP OF TEN RARE KOGEI MAGAZINES | SHOWA PERIOD, 20TH CENTURY

SATO KEY (1906–1978), RIVIÈRE DE PIERRE | SHOWA PERIOD, 20TH CENTURY

45. SATO KEY (1906–1978), RIVIÈRE DE PIERRE | SHOWA PERIOD, 20TH CENTURY

KAYAMA MATAZŌ (1927–2004), INSECT (KONCHŪ) | SHOWA PERIOD, 20TH CENTURY (1960S)

46. KAYAMA MATAZŌ (1927–2004), INSECT (KONCHŪ) | SHOWA PERIOD, 20TH CENTURY (1960S)

YAMAGUCHI KAORU (1907–1968), A FESTIVAL (ARU SAITEN) | SHOWA PERIOD, 20TH CENTURY

47. YAMAGUCHI KAORU (1907–1968), A FESTIVAL (ARU SAITEN) | SHOWA PERIOD, 20TH CENTURY

WAKITA KAZU (1908–2005), ROLLING BOTTLE (KOROGARU BIN) | SHOWA PERIOD, LATE 20TH CENTURY

48. WAKITA KAZU (1908–2005), ROLLING BOTTLE (KOROGARU BIN) | SHOWA PERIOD, LATE 20TH CENTURY