signed, titled twice, and dated 1986 on the reverse
oil on canvas, in two parts
96 ¼ by 124 in. 244.5 by 315 cm.
McKee Gallery, New York
Acquired by the present owner from the above in 1986
Mark Levy, “The Permutations of the Stripe,” Shift, Vol. 1, No. 2, February 1988, p. 38, illustrated
David Cateforis, Paintings with a Purpose: Sean Scully in the Anderson Collection, Menlo Park 1989, n.p.
Exh. Cat., Bologna, Galleria d'Arte Moderna, Sean Scully, May - September 1996, p. 30, illustrated
Danilo Eccher, David Carrier, Hans-Michael Herzog Eds., Sean Scully, Milan 1996, no. 30, illustrated
Tanja Pirsig-Marshall, Arthur C. Danto and Armin Zweite Eds., Sean Scully: Works from the 1980s, Vienna 2010, p. 64, pl. 35, illustrated in color
Marla Price, Sean Scully: Catalogue Raisonné of the Paintings, Volume II, 1980-1989, Fort Worth and Berlin 2018, p. 179, no. 1986.14, illustrated in color
Berkeley, University Art Museum, University of California, Sean Scully: MATRIX 112, October - December 1987, no. 3
Stanford University Art Gallery, Sean Scully/Donald Sultan: Abstraction/Representation: Paintings, Drawings, and Prints from the Anderson Collection, February - April 1990, p. 8, no. 3, illustrated in color
San Francisco Museum of Modern Art, Celebrating Modern Art: The Anderson Collection, October 2000 - January 2001, p. 220, pl. 125, illustrated in color, and p. 386, no. 265 (text)