View 1 of Lot 204. BARNETT NEWMAN | UNTITLED ETCHING 1.
View 1 of Lot 204. BARNETT NEWMAN | UNTITLED ETCHING 1.
204

BARNETT NEWMAN | UNTITLED ETCHING 1

Estimate:

70,000 - 100,000 USD

Property from the Collection of Harry W. and Mary Margaret Anderson

BARNETT NEWMAN | UNTITLED ETCHING 1

BARNETT NEWMAN | UNTITLED ETCHING 1

Estimate:

70,000 - 100,000 USD

Lot sold:

150,000

USD

Property from the Collection of Harry W. and Mary Margaret Anderson

BARNETT NEWMAN

1905 - 1970

UNTITLED ETCHING 1


signed, dated 1969 and numbered 19/28

etching and aquatint on J. Green paper

plate: 14¾ by 23½ in. 37.5 by 59.8 cm.

sheet: 22⅝ by 31¾ in. 57.5 by 80.5 cm.

Executed in 1969, this work is number 19 from an edition of 28, plus 4 artist's proofs.

M. Knoedler & Co., New York

Acquired from the above by the present owner in 1969

Melinda Terbell, “Los Angeles,” Arts Magazine, Vol. 45, No. I, September - October 1970, p. 54

Exh. Cat., New York, The Museum of Modern Art, Barnett Newman, 1971, p. 138

Thomas B. Hess, “Notes on Newman’s ‘Notes,’” The Print Collector’s Newsletter, Vol. 2, No. 6, January - February 1972, p. 122

Exh. Cat., New York, The Museum of Modern Art, Modern Art in Prints, 1973, p. 47, illustrated

Exh. Cat., Middletown, Wesleyan University, Davison Art Center, Recent American Etching, 1975, p. 11

Riva Castleman, Prints of the Twentieth Century: A History, New York, 1976, p. 138

Alfred Pacquement, Barnett Newman: Pour une peinture passionée, Paris, 1978, p. 7

Harold Rosenberg, Barnett Newman, New York, 1978, cat. no. 228, another example illustrated

Germain Viatte, “Barnett Newman: L’iillumination de Shining Forth,” Cashiers du Musée National d’Art Moderne, No. I, July - September 1979, p. 116, illustrated

Exh. Cat., Amherst, University of Massachusetts, University Gallery, The Prints of Barnett Newman, 1983, p. 91, illustrated

Roman Hollenstein, “’Das Sublime ereignet sich jetzt:’ Barnett Newmans Druckgraphik in der Graphiksammlung der ETH,” Neue Zurcher Zeitung, 19 November 1986, p. 33

Esther Sparks, “Barnett Newman,” Universal Limited Art Editions: A History and Catalogue: The First Twenty-Five Years, New York 1989, cat. nos. 40A and 40B, no. 158, p. 211, illustrated

Deborah Ripley, “Prints and Multiples,” Artscribe, No. 63, September - October 1990, p. 20

Exh. Cat., Stedelijk Museum, Barnett Newman, Notes: 18 Etchings and Aquatints, 1993, pp. 40, 46 and 47

Michael Archer, “Barnett Newman,” Art Monthly, No. 201, November 1996, p. 33

Rolf-Gunter Dienst, “Gesange auf Stein,” Frankfurter Allgeine Zeitung, 29 August 1996, p. 32

Exh. Cat., Staatsgalerie Stuttgart, The Prints of Barnett Newman: 1961-1969, 1996, p. 113, illustrated in color

Gabrielle Schor, “Freie Farbe, lebendige Form,” Berner Kustmitteilungen, No. 307, November/December 1996, p. 5

Exh. Cat., Graz, Landesmuseum Joanneum, Die Farben Schwarz, 1999, p. 110

Exh. Cat., Philadelphia Museum of Art, Barnett Newman, 2002, pl. 100, p. 296, illustrated

Carter Ratcliff, “Newman’s Perennial Now,” Art in America, Vol. 90, No. 9, September 2002, p. 97

Richard Shiff, Carol C. Mancusi-Ungaro and Heidi Colsman-Freyberger, Barnett Newman: A Catalogue Raisonné, New York, 2004, cat. no. 249, p. 497, illustrated in color

Fine Arts Museum of San Francisco, Palace of the Legion of Honor; Palm Springs Desert Museum, An American Focus: The Anderson Graphic Arts Collection, October 2000 - March 2001, cat. no. 181, pl. 42, p. 40, illustrated in color

Santa Clara University, de Saisset Museum, Eye on the Sixties: Vision, Body and Soul: Selections from the Collection of Harry W. and Mary Margaret Anderson, February - June 2008, fig. 33, pl. 62, p. 62, illustrated in color