Contemporary Art Day Auction

Contemporary Art Day Auction

View full screen - View 1 of Lot 204. BARNETT NEWMAN | UNTITLED ETCHING 1.

Property from the Collection of Harry W. and Mary Margaret Anderson


Auction Closed

June 30, 09:53 PM GMT


70,000 - 100,000 USD

Lot Details


Property from the Collection of Harry W. and Mary Margaret Anderson


1905 - 1970


signed, dated 1969 and numbered 19/28

etching and aquatint on J. Green paper

plate: 14¾ by 23½ in. 37.5 by 59.8 cm.

sheet: 22⅝ by 31¾ in. 57.5 by 80.5 cm.

Executed in 1969, this work is number 19 from an edition of 28, plus 4 artist's proofs.

M. Knoedler & Co., New York

Acquired from the above by the present owner in 1969

Melinda Terbell, “Los Angeles,” Arts Magazine, Vol. 45, No. I, September - October 1970, p. 54

Exh. Cat., New York, The Museum of Modern Art, Barnett Newman, 1971, p. 138

Thomas B. Hess, “Notes on Newman’s ‘Notes,’” The Print Collector’s Newsletter, Vol. 2, No. 6, January - February 1972, p. 122

Exh. Cat., New York, The Museum of Modern Art, Modern Art in Prints, 1973, p. 47, illustrated

Exh. Cat., Middletown, Wesleyan University, Davison Art Center, Recent American Etching, 1975, p. 11

Riva Castleman, Prints of the Twentieth Century: A History, New York, 1976, p. 138

Alfred Pacquement, Barnett Newman: Pour une peinture passionée, Paris, 1978, p. 7

Harold Rosenberg, Barnett Newman, New York, 1978, cat. no. 228, another example illustrated

Germain Viatte, “Barnett Newman: L’iillumination de Shining Forth,” Cashiers du Musée National d’Art Moderne, No. I, July - September 1979, p. 116, illustrated

Exh. Cat., Amherst, University of Massachusetts, University Gallery, The Prints of Barnett Newman, 1983, p. 91, illustrated

Roman Hollenstein, “’Das Sublime ereignet sich jetzt:’ Barnett Newmans Druckgraphik in der Graphiksammlung der ETH,” Neue Zurcher Zeitung, 19 November 1986, p. 33

Esther Sparks, “Barnett Newman,” Universal Limited Art Editions: A History and Catalogue: The First Twenty-Five Years, New York 1989, cat. nos. 40A and 40B, no. 158, p. 211, illustrated

Deborah Ripley, “Prints and Multiples,” Artscribe, No. 63, September - October 1990, p. 20

Exh. Cat., Stedelijk Museum, Barnett Newman, Notes: 18 Etchings and Aquatints, 1993, pp. 40, 46 and 47

Michael Archer, “Barnett Newman,” Art Monthly, No. 201, November 1996, p. 33

Rolf-Gunter Dienst, “Gesange auf Stein,” Frankfurter Allgeine Zeitung, 29 August 1996, p. 32

Exh. Cat., Staatsgalerie Stuttgart, The Prints of Barnett Newman: 1961-1969, 1996, p. 113, illustrated in color

Gabrielle Schor, “Freie Farbe, lebendige Form,” Berner Kustmitteilungen, No. 307, November/December 1996, p. 5

Exh. Cat., Graz, Landesmuseum Joanneum, Die Farben Schwarz, 1999, p. 110

Exh. Cat., Philadelphia Museum of Art, Barnett Newman, 2002, pl. 100, p. 296, illustrated

Carter Ratcliff, “Newman’s Perennial Now,” Art in America, Vol. 90, No. 9, September 2002, p. 97

Richard Shiff, Carol C. Mancusi-Ungaro and Heidi Colsman-Freyberger, Barnett Newman: A Catalogue Raisonné, New York, 2004, cat. no. 249, p. 497, illustrated in color