Contemporary Art Day Auction

Contemporary Art Day Auction

View full screen - View 1 of Lot 205. BARNETT NEWMAN | UNTITLED ETCHING 2.

Property from the Collection of Harry W. and Mary Margaret Anderson


Auction Closed

June 30, 09:53 PM GMT


60,000 - 80,000 USD

Lot Details


Property from the Collection of Harry W. and Mary Margaret Anderson


1905 - 1970


signed, dated 1969 and numbered 19/27

etching and aquatint on J. Green paper

plate: 23½ by 14¾ in. 59.6 by 37.6 cm.

sheet: 31¾ by 22¾ in. 80.6 by 57.8 cm.

Executed in 1969, this work is number 19 from an edition of 27, plus 4 artist's proofs.

M. Knoedler & Co., New York

Acquired from the above by the present owner in 1969

Melinda Terbell, “Los Angeles,” Arts Magazine, Vol. 45, No. I, September - October 1970, p. 54

Exh. Cat., New York, The Museum of Modern Art, Barnett Newman, 1971, p. 138

Thomas B. Hess, “Notes on Newman’s ‘Notes,’” The Print Collector’s Newsletter, Vol. 2, No. 6, January - February 1972, p. 122

Riva Castleman, Prints of the Twentieth Century: A History, New York, 1976, p. 138

Harold Rosenberg, Barnett Newman, New York, 1978, cat. no. 229, illustrated

Exh. Cat., Amherst, University of Massachusetts, University Gallery, The Prints of Barnett Newman, 1983, p. 93, illustrated

Sam Hunter and William Rubin, The Museum of Modern Art, New York: The History and the Collection, New York 1984, cat. no. 612, p. 373, illustrated

Riva Castleman, American Impressions: Prints Since Pollock, New York 1985, cat. no. 94, p. 131, illustrated

Esther Sparks, “Barnett Newman,” Universal Limited Art Editions: A History and Catalogue: The First Twenty-Five Years, New York, 1989, no. 41, illustrated

Deborah Ripley, “Prints and Multiples,” Artscribe, No. 63, September - October 1990, p. 20

Exh. Cat., Stedelijk Museum, Barnett Newman, Notes: 18 Etchings and Aquatints, 1993, pp. 40, 46 and 47

Michael Archer, “Barnett Newman,” Art Monthly, No. 201, November 1996, p. 33

Rolf-Gunter Dienst, “Gesange auf Stein,” Frankfurter Allgeine Zeitung, 29 August 1996, p. 32

Exh. Cat., Staatsgalerie Stuttgart, The Prints of Barnett Newman: 1961-1969, 1996, p. 115, illustrated in color

Gabrielle Schor, “Freie Farbe, lebendige Form,” Berner Kustmitteilungen, No. 307, November/December 1996, p. 5

Exh. Cat., Frankfurt am Main, Städtische Galerie im Städelschen Kunstinstitut, Konzeptionelle Druckgraphik: Dan Flavin, Donald Judd, Richard Serra, Barnett Newman, Josef Albers, 1996, n.p.

Exh. Cat., Philadelphia Museum of Art, Barnett Newman, 2002, pl. 101, pp. 296-297, illustrated

Carter Ratcliff, “Newman’s Perennial Now,” Art in America, Vol. 90, No. 9, September 2002, p. 97

Richard Shiff, Carol C. Mancusi-Ungaro and Heidi Colsman-Freyberger, Barnett Newman: A Catalogue Raisonné, New York, 2004, cat. no. 250, p. 498, illustrated in color