Property from a Private Collection
WILFRID GABRIEL DE GLEHN, R.A.
Blue and Gold
signed and dated u.r.: W.G. von Glehn/ 1911
oil on canvas
114 by 132cm., 45 by 52in.
This picture is unlined and in excellent condition. There are localised areas of fine craquelure visible upon close inspection. There is an area of bloom to the flowers on the left.
UNDER ULTRAVIOLET LIGHT
There are possibly small retouchings to vertical stretcher bar cracking but not excessive.
The picture is contained in a moulded plaster frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. Illustrations in the catalogue may not be actual size. Prospective purchasers are reminded that, unless the catalogue description specifically states that a stone is natural, we have assumed that some form of treatment may have been used and that such treatment may not be permanent. Our presale estimates reflect this assumption.Certificates of Authenticity: Various manufacturers may not issue certificates of authenticity upon request. Sotheby's is not under an obligation to furnish the purchaser with a certificate of authenticity from the manufacturer at any time. Unless the requirements for a rescission of the sale under the Terms of Guarantee are satisfied, the failure of a manufacturer to issue a certificate will not constitute grounds to rescind the sale. Gemological Certificates and Reports: References in the catalogue descriptions to certificates or reports issued by gemological laboratories are provided only for the information of bidders, and Sotheby's does not guarantee and accepts no responsibility for the accuracy, terms or information contained in such certificates or reports. Please also note that laboratories may differ in their assessment of a gemstone (including its origin and presence, type and extent of treatments) and their certificates or reports may contain different results.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Spanierman Gallery, New York, 1997;
T. Martin Wood, 'The Paintings of Wilfrid G. von Glehn,' Studio Magazine, June 1912, illustrated p.9;
L. Wortley, Wilfred Gabrield de Glehn, John Singer Sargent's Painting Companion, exh.cat., Spanierman Gallery, New York, 1997, illustrated p.25;
L. Wortley, Wilfred de Glehn, A Painter's Journey, not dated, illustrated pl.25 p.47
Liverpool, Walker Art Gallery, Autumn Exhibition, 1911, no.1073 as The Yellow Dress;
Venice, The Venice Biennale International, 1912;
Pittsburg, Carnegie Institute, 1913 as Bleu et Or;
New York, Spanierman Gallery, Wilfred Gabriel de Glehn (1870-1951), John Singer Sargent's Painting Companion, 1997, no.7
The composition of Blue and Gold was based upon de Glehn's portrait of his wife Jane de Glehn at Cheyne Walk of 1904. In the present work a professional model wears the same gold dress and sits on a love-seat which appears in a number of other works by the artist from this period, perhaps consciously echoing similarly ornate furniture favoured by John Singer Sargent for his portraits. The work was originally titled The Yellow Dress when it was exhibited in Liverpool in 1911 but de Glehn renamed it the following year to avoid confusion with the earlier picture. The model sits in a relaxed and languid pose and the elegant brushstrokes clearly show the influence of Sargent.