PIETER VAN LINT | PORTRAIT OF A BEARDED MAN, BUST-LENGTH, IN BLACK WITH A WHITE COLLAR
PIETER VAN LINT | PORTRAIT OF A BEARDED MAN, BUST-LENGTH, IN BLACK WITH A WHITE COLLAR
PIETER VAN LINT | PORTRAIT OF A BEARDED MAN, BUST-LENGTH, IN BLACK WITH A WHITE COLLAR
PIETER VAN LINT | PORTRAIT OF A BEARDED MAN, BUST-LENGTH, IN BLACK WITH A WHITE COLLAR
PIETER VAN LINT | PORTRAIT OF A BEARDED MAN, BUST-LENGTH, IN BLACK WITH A WHITE COLLAR
PIETER VAN LINT | PORTRAIT OF A BEARDED MAN, BUST-LENGTH, IN BLACK WITH A WHITE COLLAR
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PIETER VAN LINT | PORTRAIT OF A BEARDED MAN, BUST-LENGTH, IN BLACK WITH A WHITE COLLAR

Estimate: 7,000 - 9,000 GBP

PIETER VAN LINT | PORTRAIT OF A BEARDED MAN, BUST-LENGTH, IN BLACK WITH A WHITE COLLAR

Estimate: 7,000 - 9,000 GBP

Lot Details

Description

Property from the SØR Rusche Collection

PIETER VAN LINT

Antwerp 1606 - 1690

PORTRAIT OF A BEARDED MAN, BUST-LENGTH, IN BLACK WITH A WHITE COLLAR


signed with monogram and dated upper right: P.V.L. F. A 163(?)5

oil on oak panel

unframed: 44.6 x 33.8 cm.; 17½ x 13¼ in.

framed: 53.5 x 44 cm.; 21 x 17⅜ in.


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Condition Report

The panel is uncradled, flat and stable. The paint surface is clean and the varnish is only slightly discoloured. Inspection under ultraviolet light reveals a fairly extensive campaign of retouching throughout the background, a more concentrated area in the figure's proper right shoulder approx. 14 x 3.5 cm., as well as in his collar approx. 6 x 1 cm. There are more sparse spot retouchings in his face, hair and beard, with a more concentrated spot in his forehead and in his proper left eye. These are all sensitively executed and the painting appears bright and ready to hang.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.


Cataloguing

Provenance

With Galerie Bodan, Konstanz;

Jochen Kiefer, Rheda-Wiedenbrück, circa 1975;

Anonymous sale, Amsterdam, Christie's, 7 May 1997, lot 62, when acquired.

Exhibited

The SØR Rusche Collection has been exhibited extensively over the last two decades. Please click here for further information.

Literature

H.-J. Raupp (ed.), Niederländische Malerei des. 17. Jahrhunderts der SØR Rusche-Sammlung, vol. 5, Stilleben und Tierstücke, Münster/Hamburg/London 2004, pp. 298–99, cat. no. 69, reproduced in colour.

Catalogue Note

In 1632, Peter van Lint became a master in the Antwerp guild of St. Luke. He went to Italy shortly afterwards, where he was commissioned to paint portraits, religious paintings and murals for numerous churches in Rome. Upon his return in 1640, he opened an important studio in Antwerp, which attracted at least seventeen recorded pupils, including Godfried Maes.

The SØR Rusche Collection Online
Online bidding closed10 May 2019 | 03:42 PM GMT