GILLIS PEETERS THE ELDER | SHEPHERDS AND THEIR FLOCK BY BUILDINGS, IN A SOUTHERN LANDSCAPE
GILLIS PEETERS THE ELDER | SHEPHERDS AND THEIR FLOCK BY BUILDINGS, IN A SOUTHERN LANDSCAPE
GILLIS PEETERS THE ELDER | SHEPHERDS AND THEIR FLOCK BY BUILDINGS, IN A SOUTHERN LANDSCAPE
GILLIS PEETERS THE ELDER | SHEPHERDS AND THEIR FLOCK BY BUILDINGS, IN A SOUTHERN LANDSCAPE
GILLIS PEETERS THE ELDER | SHEPHERDS AND THEIR FLOCK BY BUILDINGS, IN A SOUTHERN LANDSCAPE
GILLIS PEETERS THE ELDER | SHEPHERDS AND THEIR FLOCK BY BUILDINGS, IN A SOUTHERN LANDSCAPE
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GILLIS PEETERS THE ELDER | SHEPHERDS AND THEIR FLOCK BY BUILDINGS, IN A SOUTHERN LANDSCAPE

Estimate: 8,000 - 12,000 GBP

GILLIS PEETERS THE ELDER | SHEPHERDS AND THEIR FLOCK BY BUILDINGS, IN A SOUTHERN LANDSCAPE

Estimate: 8,000 - 12,000 GBP

Lot Sold:11,250GBP
(8 bids, reserve met)

Lot Details

Description

Property from the SØR Rusche Collection

GILLIS PEETERS THE ELDER

Antwerp 1612 - 1653

SHEPHERDS AND THEIR FLOCK BY BUILDINGS, IN A SOUTHERN LANDSCAPE


signed lower centre: G. Peetes fec 1636.

oil on canvas

unframed: 63.8 x 112.4 cm.; 25⅛x 44¼ in.

framed: 83 x 130.7 cm.; 32⅝ x 51½ in.


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Condition Report

The canvas has a firm relining. The paint surface is clean and the varnish clear and even. Inspection under ultra violet light reveals fine lines of retouching throughout the sky to disguise the appearance of craquelure- notably to a diagonal line upper left 15 cm - and to a horizontal line in the centre measuring 7 cm. Other small retouchings are scattered in the landscape but these areas remain largely untouched save for the foremost mountains in the centre which have a more concentrated area of retouching. In fair overall condition with the bright palette well preserved.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Cataloguing

Provenance

Lodi, Munich;

With Galerie Kurt J. Müllenmeister, Solingen, by 1968;

Private collection, Germany, whence acquired.


Exhibited

's-Hertogenbosch, Noordbrabants Museum, Panorama op de wereld: het landschap van Bosch tot Rubens, 17 March – 10 June 2001, no. 99;

Rotterdam, Kunsthal, At Home in the Golden Age, 9 February – 18 May 2008, no. 17.


The SØR Rusche Collection has been exhibited extensively over the last two decades. Please click here for further information.

Literature

K.J. Müllenmeister, Meer und Land im Licht des 17 Jahrunderts, Bremen 1981, p. 19, cat. no. 295, reproduced;

Y. Thiery, Les Peintres Flamands de Paysage aux XVIIe siècle. Des précurseurs à Rubens, Brussels 1986, pp. 64 and 249, cat. no. 21;

H.-J. Raupp (ed.), Niederländische Malerei des. 17. Jahrhunderts der SØR Rusche-Sammlung, vol. 3, Landschaften und Seestücke, Münster/Hamburg/London 2001, pp. 210–11, cat. no. 53, reproduced in colour; W. Pijbes, M. Aarts, M.J. Bok et al., At Home in the Golden Age, exh. cat., Zwolle 2008, p. 44, cat. no. 17, reproduced in colour.

Catalogue Note

A member of a Flemish family of marine and landscape painters, Gillis became a master of the Antwerp guild of St Luke in 1634 along with his brother Bonaventura, with whom he is known to have shared a studio in Antwerp. His œuvre consists chiefly of landscapes, many of which reveal a debt to the work of Paul Bril, although he is perhaps best known for a small group of works depicting the coastline of Brazil, where he is believed to have travelled in around 1637.

The SØR Rusche Collection Online
Online bidding closed10 May 2019 | 03:42 PM GMT