JOHANNES URSELINCX | A RIVER LANDSCAPE WITH A PEASANT WOMAN FEEDING DUCKS
JOHANNES URSELINCX | A RIVER LANDSCAPE WITH A PEASANT WOMAN FEEDING DUCKS
JOHANNES URSELINCX | A RIVER LANDSCAPE WITH A PEASANT WOMAN FEEDING DUCKS
JOHANNES URSELINCX | A RIVER LANDSCAPE WITH A PEASANT WOMAN FEEDING DUCKS
JOHANNES URSELINCX | A RIVER LANDSCAPE WITH A PEASANT WOMAN FEEDING DUCKS
JOHANNES URSELINCX | A RIVER LANDSCAPE WITH A PEASANT WOMAN FEEDING DUCKS
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JOHANNES URSELINCX | A RIVER LANDSCAPE WITH A PEASANT WOMAN FEEDING DUCKS

Estimate: 6,000 - 8,000 GBP

JOHANNES URSELINCX | A RIVER LANDSCAPE WITH A PEASANT WOMAN FEEDING DUCKS

Estimate: 6,000 - 8,000 GBP

Lot Details

Description

Property from the SØR Rusche Collection

JOHANNES URSELINCX

Frankenthal 1599 - 1664 Amsterdam

A RIVER LANDSCAPE WITH A PEASANT WOMAN FEEDING DUCKS


signed lower left: J Vrselincx.

oil on oak panel

unframed: 27.5 x 37.3 cm.; 10¾ x 11⅝ in.

framed: 37 x 47 cm.; 14½ x 18½ in.


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Condition Report

The panel is uncradled, flat and stable. The paint surface is relatively clean and the varnish only slightly discoloured. The impasto brushwork in the foliage is well-preserved. Inspection under ultraviolet light reveals very few, minor spot retouchings. The painting is in overall very good condition.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Cataloguing

Provenance

Werner Dahl, Düsseldorf;

Anonymous sale, Amsterdam, Frederik Muller, 17 October 1905, lot 149, for 155 Dutch florins;

With Galerie Sanct Lucas, Vienna, 1965;

F.C. Butôt, Sankt Gilgen, Austria, by 1972;

His posthumous sale, Amsterdam, Sotheby's, 16 November 1993, lot 33, for 55,200 Guilders, when acquired.

Exhibited

Salzburg, Museumpavillon im Mirabellgarten, 12 July – 12 September 1972; Münster, Westfälisches Landesmuseum, 26 September 1972 – 14 January 1973, Niederländische Kunst aus dem Goldenen Jahrhundert, unnumbered;

Rotterdam, Museum Boymans-van Beuningen, Hollandse en Vlaamse Kunst uit de 17e eeuw, 16 February – 1 April 1973, unnumbered;

Frankenthal, Erkenbert Museum, Kunst, Kommerz, Glaubenskampf - Frankenthal um 1600, 1995, no. M30;

's-Hertogenbosch, Noordbrabants Museum, Panorama op de wereld: het landschap van Bosch tot Rubens, 17 March – 10 June 2001, no. 79;

Rotterdam, Kunsthal, At Home in the Golden Age, 9 February – 18 May 2008, no. 142.


The SØR Rusche Collection has been exhibited extensively over the last two decades. Please click here for further information.

Literature

A. von Wurzbach, Niederländisches Künstler-Lexikon, Vienna and Leipzig, 1906, vol. II, p. 726;

U. Thieme and F. Becker, Allgemeines Lexikon der Bildenden Künstler..., vol. III, Leipzig 1926, p. 3;

Niederländisches Kunst aus dem Goldenen Jahrhundert--Gemälde und Zeichnungen im Umkreis grosser Meister aus der Sammlung F.C. Butôt, exh. cat., Salzburg 1972, pp. 154–55;

Hollandse en Vlaamse kunst uit de 17e eeuw: hoogtepunten van minder bekende meesters: schilderijen en tekeningen uit de verzameling F.C. Butôt, exh. cat., Rotterdam 1973, pp. 156–57;

W. Bernt, Die Niederländischen Maler und Zeichner des 17. Jahrhunderts, Munich 1979, vol. III, reproduced pl. 1279;

L.J. Bol, G. Keyes and F.C. Butôt, Netherlandish paintings and drawings from the collection of F.C. Butôt by little-known and rare masters of the seventeenth century, London 1981, p. 78, cat. no. 22, reproduced in colour;

H.-J. Raupp (ed.), Niederländische Malerei des. 17. Jahrhunderts der SØR Rusche-Sammlung, vol. 3, Landschaften und Seestücke, Münster/Hamburg/London 2001, pp. 272–75, cat. no. 72, reproduced in colour;

P.H. Janssen et al., Panorama op de wereld: het landschap van Bosch tot Rubens, pp. 169–70, cat. no. 79, reproduced in colour;

W. Pijbes, M. Aarts, M. J. Bok et al., At Home in the Golden Age, exh. cat., Zwolle 2008, p. 129, cat. no. 142, reproduced in colour.

Catalogue Note

Only a handful of paintings by this artist survive, four of which are signed – including the present work. In 1637 he is cited as an appraiser of pictures, but he also practiced another profession, as a wine merchant.

The SØR Rusche Collection Online
Online bidding closed10 May 2019 | 03:42 PM GMT