JOACHIM GOVERTSZ. CAMPHUYSEN | HILLY LANDSCAPE WITH TREES
Property from the SØR Rusche Collection
JOACHIM GOVERTSZ. CAMPHUYSEN
Gorinchem circa 1601/2 - 1659 Amsterdam
HILLY LANDSCAPE WITH TREES
signed in monogram lower centre: IC
oil on oak panel
unframed: 28.8 x 36 cm.; 11⅜ x 14⅛ in.
framed: 37 x 44.5 cm.; 14½ x 17½ in.
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The panel is uncradled, flat and stable, with a clean surface and clear varnish. Inspection under ultraviolet light reveals the varnish was applied somewhat unevenly; and there are also some horizontal lines of retouching along the lower margin, to disguise the appearance of a hairline split, which is stable. There are some further retouchings throughout the sky, to a slight degree of wear. Otherwise the painting is in overall very good condition.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.
Dordrecht, Dordrechts Museum, Zee-, rivier- en oevergezichten. Nederlandse schilderijen uit de zeventiende eeuw, 12 July - 24 September 1964, no. 16;
Salzburg, Museumpavillon im Mirabellgarten, 12 July – 12 September 1972; Münster, Westfälisches Landesmuseum, 26 September 1972 – 14 January 1973, Niederländische Kunst aus dem Goldenen Jahrhundert, unnumbered;
Rotterdam, Museum Boymans-van Beuningen, Hollandse en Vlaamse Kunst uit de 17e eeuw, 16 February – 1 April 1973, unnumbered;
Schieder-Schwalenberg, Robert-Koepke-Haus, Wege durch das Land - Inventar der Landschaft. Niederländische Landschaftsschilderungen vom 16. bis 18. Jahrhundert, 2000, no. 18;
Rotterdam, Kunsthal, At Home in the Golden Age, 9 February – 18 May 2008, no. 14.
The SØR Rusche Collection has been exhibited extensively over the last two decades. Please click here for further information.
Camphuysen’s landscapes are rendered in tonal greens and browns, and reflect a distinctive preoccupation with the depiction of trees - pictured in all seasons - as the protagonists in many of his works. His delight in differentiating between foliage and leafless trunks is evident in this poetic work, which is suffused with golden light and features a remarkably bright sky against which the silhouettes of the trees are all the more dramatic.
Jochem Camphuysen was part of a dynasty of 17th-century Dutch landscape and animal painters, the nephew of Dirk Rafalesz. Camphuysen and brother of Rafaël Govertsz. Camphuysen. Growing up in Gorinchem, not far from Dordrecht, Camphuysen would also have absorbed the examples of the Mannerist landscapes of artists such as Alexander Keirincx. His sister, Lysbeth, married the great landscapist, Aert van der Neer, whom Camphuysen is believed to have taught.