AFTER JOSEPH MALLORD WILLIAM TURNER | Champtoceaux from the East, River Loire, France
AFTER JOSEPH MALLORD WILLIAM TURNER | Champtoceaux from the East, River Loire, France
Lot Closed
AFTER JOSEPH MALLORD WILLIAM TURNER | Champtoceaux from the East, River Loire, France
AFTER JOSEPH MALLORD WILLIAM TURNER | Champtoceaux from the East, River Loire, France
AFTER JOSEPH MALLORD WILLIAM TURNER | Champtoceaux from the East, River Loire, France
AFTER JOSEPH MALLORD WILLIAM TURNER | Champtoceaux from the East, River Loire, France
AFTER JOSEPH MALLORD WILLIAM TURNER | Champtoceaux from the East, River Loire, France
90

AFTER JOSEPH MALLORD WILLIAM TURNER | Champtoceaux from the East, River Loire, France

Estimate: 800 - 1,200 GBP

AFTER JOSEPH MALLORD WILLIAM TURNER | Champtoceaux from the East, River Loire, France

Estimate: 800 - 1,200 GBP
Lot sold:1,125GBP
(5 bids, reserve met)

Description

AFTER JOSEPH MALLORD WILLIAM TURNER

British

1775 - 1851

Champtoceaux from the East, River Loire, France


watercolour and bodycolour, heightened with red ink on blue paper

22 by 30.5cm., 8¾ by 12in.

framed: 32.5 by 14cm., 12¾ by 14in.


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Please note, Condition 11 of the Conditions of Business for Buyers (Online Only) is no applicable to this lot

Condition Report

The blue paper has lightened a little where the work has been exposed to light. There is a brown line around the aperture of the current mount. Hidden by this mount are areas where glue and old mount have stuck to the surface. This can only be seen when the work is unframed. The sheet is laid down to a thin sheet of paper.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Provenance

Annetta Milling (1931-2014); thence by descent to the present owner 

Catalogue Note

This work is a fine copy after Turner's watercolour of the same time, which is now in the Ashmolean Museum, Oxford. That work dates to circa 1826-30 and was engraved in 1832, alongside twenty-one other views of the River Loire, for Charles Heath’s publication: Turner’s Annual Tour: ‘Wanderings by the Loire.’1


Although it is not possible to be certain who painted the present work, the artist may well have been a pupil of John Ruskin. Ruskin owned Turner’s watercolour between 1858 and 1861, before he presented it to the Ashmolean. Artist’s working in under Ruskin’s influence included, amongst others: Isabella Jay, Dawtrey Drewitt May Alcott, Kathleen Olander and William Ward. For information on Annetta Milling, please see lot 38.


1. See: Ian Warrell, Turner on the Loire, London 1997, p. 227, no. 113


We are grateful to Ian Warrell for his help when cataloguing this work