FRANCIS CAMPBELL BOILEAU CADELL, R.S.A., R.S.W. | IONA, COWS ROCK AND THE ROSS OF MULL
FRANCIS CAMPBELL BOILEAU CADELL, R.S.A., R.S.W. | IONA, COWS ROCK AND THE ROSS OF MULL
FRANCIS CAMPBELL BOILEAU CADELL, R.S.A., R.S.W. | IONA, COWS ROCK AND THE ROSS OF MULL
49

Property from the Estate of the Late John Michael Dyson

FRANCIS CAMPBELL BOILEAU CADELL, R.S.A., R.S.W. | IONA, COWS ROCK AND THE ROSS OF MULL

Estimate: 40,000 - 60,000 GBP

Property from the Estate of the Late John Michael Dyson

FRANCIS CAMPBELL BOILEAU CADELL, R.S.A., R.S.W. | IONA, COWS ROCK AND THE ROSS OF MULL

Estimate: 40,000 - 60,000 GBP

Lot Details

Description

Property from the Estate of the Late John Michael Dyson


FRANCIS CAMPBELL BOILEAU CADELL, R.S.A., R.S.W.

1883-1937

IONA, COWS ROCK AND THE ROSS OF MULL



signed l.r.: F.C.B. Cadel

oil on board

36 by 45.5cm., 15 by 18in.

Painted circa 1926

Condition Report

There was previously another work on the reverse of this board. The board was professionally divided and this work laid down on panel which is providing a stable support. There are some faint horizontal surface cracks, notably in the sky. Some rubbing and abrasion to the framing edges. Otherwise, the work appears clean and ready to hang.


Examination under ultraviolet light reveals some very minor infilling to the aforementioned cracks in the sky.


Held in a painted frame. Under glass.


In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE.

Saleroom Notice

The medium of this work should read, oil on board, laid on panel, and not as stated in the printed catalogue.

Cataloguing

Provenance

Phillips, Edinburgh, 5 May 1995, lot 22;

Duncan R. Miller Fine Arts, London, where purchased by Mr John Michael Dyson and thence by descent

Exhibited

London, Duncan R. Miller Fine Arts, Scottish Colourists, 1995, no.7

Literature

P. Macleod Coupe, Paintings of Iona; Cadell and Peploe, Malvern, 2014, p.115, pl.96

Catalogue Note

The present work depicts a view from the North End of the Isle of Iona, with the foreground dominated by the north-eastern corner of Cows Rock and looking across the water towards Mull. Located off the west coast of Scotland, Iona’s beautiful landscape, colour and light enchanted and captivated Cadell when he first visited in 1912. It provided him with limitless artistic inspiration, and he returned almost every summer, encouraging fellow Colourist Samuel John Peploe to do the same. The composition is defined by dynamic contrasts in colour; pinkish tones of the Caledonian granite on the Ross of Mull are set against turquoise waters, and black rocks are stark against white sand. The boldness of colour and line reflect the influence of French Post-Impressionism that so defined the artistic direction of the Scottish Colourists.


The local islanders grew fond of Cadell over the many years he painted there. In turn he appreciated their modest, unadorned lifestyle. As Roger Billcliffe writes, ‘its simplicity of life – primitive almost – was obviously a welcome change from the style and pace of life of Edinburgh’ (Roger Billcliffe, The Scottish Colourists – Cadell, Fergusson, Hunter, Peploe, 1989, p.41). Regarded with genuine affection as well as respect for his talents as an artist by the people of Iona, the young boys of the island graced him the nickname ‘Himself’ for his exuberant eccentricity. Yet for all his cheerful friendliness, Cadell also prized the island’s sequestered tranquillity. Above all his Iona views offer the viewer a unique sense of escapism, onto the expanses of white sands and the swatches of azure where no human presence disturbs one’s contemplation of natural beauty.

Scottish Art
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