SERGEI ARSENIEVICH VINOGRADOV | At the Trough
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Property from a Private Collection, England

SERGEI ARSENIEVICH VINOGRADOV | At the Trough

Estimate: 12,000 - 18,000 GBP

Property from a Private Collection, England

SERGEI ARSENIEVICH VINOGRADOV | At the Trough

Estimate: 12,000 - 18,000 GBP

Lot Sold:37,500GBP

Lot Details

Description

SERGEI ARSENIEVICH VINOGRADOV

1869-1938

At the Trough


signed in Cyrillic and dated 95 l.r.

oil on canvas

35.5 by 53cm, 14 by 20¾in.

Condition Report

Original canvas which is buckling in places. There are frame abrasions with associated paint loss along all four edges. There are fine cracks scattered throughout composition. There is a layer of surface dirt with spots in places. Inspection under UV light does not reveal any obvious signs of retouching. Held in a white painted wooden frame. Unexamined out of frame.


"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Cataloguing

Provenance

Acquired by the grandfather of the present owner                         

Catalogue Note

At the Trough is a smaller version of the similarly titled composition at the Vitebsk Museum of Art, also dated 1895. Another comparable and identically sized painting titled Horses Drinking Water Near the Well was offered in these rooms on 31 May 2005. In the 1890s, as a young painter and a relative newcomer to the Peredvizhniki movement, Vinogradov found himself having to repeat commercially successful compositions in order to make ends meet.

Russian Pictures
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