JAN VERKOLJE THE ELDER | Portrait of Jacomina Le Pla, wife of a merchant
JAN VERKOLJE THE ELDER | Portrait of Jacomina Le Pla, wife of a merchant
JAN VERKOLJE THE ELDER | Portrait of Jacomina Le Pla, wife of a merchant
JAN VERKOLJE THE ELDER | Portrait of Jacomina Le Pla, wife of a merchant
JAN VERKOLJE THE ELDER | Portrait of Jacomina Le Pla, wife of a merchant
JAN VERKOLJE THE ELDER | Portrait of Jacomina Le Pla, wife of a merchant
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Property from the SØR Rusche Collection

JAN VERKOLJE THE ELDER | Portrait of Jacomina Le Pla, wife of a merchant

Estimate: 4,000 - 6,000 GBP

Property from the SØR Rusche Collection

JAN VERKOLJE THE ELDER | Portrait of Jacomina Le Pla, wife of a merchant

Estimate: 4,000 - 6,000 GBP

Lot Sold:11,250GBP

Lot Details

Description

Property from the SØR Rusche Collection

JAN VERKOLJE THE ELDER

Amsterdam 1650 - 1693 Delft

PORTRAIT OF JACOMINA LE PLA, WIFE OF A MERCHANT


signed and dated lower right: j· VERKOLJE / 1676

oil on copper

unframed: 30.8 x 25.8 cm.; 12⅛ x 10⅛ in.

framed: 50 x 44.2 cm.; 19⅝ x 17⅜ in.


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Condition Report

Property from the SØR Rusche Collection is available to view at Sotheby’s, New Bond Street, 13 – 18 September (weekdays 9am – 4.30pm; weekend 12-5pm).


The copper plate is flat and stable. The paint surface is relatively clean, and the old varnish is clear and slightly uneven. Inspection under ultraviolet light reveals very little intervention save for a small area in the centre of her dress, and a spot retouching in the lower right corner. In overall very good condition.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.


Please note, Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.

Cataloguing

Provenance

De Wildt collection, Amsterdam, by 1838 (inv. no. 26);

Thence by descent to Pieter Teding van Berkhout (1865-1935), Huis Boekenrode, Aerdenhout;

His sale, Amsterdam, Frederik Muller & Cie, 9 December 1930, lot 262;

Jonkheer J.H.E. van Lennep, Amsterdam, 1963;

By whom sold posthumously, Amsterdam, Christie's, 20 October 1980, lot 222, where acquired.

Exhibited

Liesborn, Museum Abtei Liesborn, on loan;

Rotterdam, Kunsthal, At Home in the Golden Age, 9 February – 18 May 2008, no. 87;

Baden-Baden, Staatliche Kunsthalle Baden-Baden, Gutes böses Geld. Eine Bildgeschichte der Ökonomie, 5 March – 19 June 2016, unnumbered.


The SØR Rusche Collection has been exhibited extensively over the last two decades. Please click here for further information.

Literature

B. Lymant, Niederländische Malerei des 17. Jahrhunderts, vol. 1: Porträt, exh. cat., Liesborn 1985, p. 38, reproduced;

H.-J. Raupp (ed.), Niederländische Malerei des. 17. Jahrhunderts der SØR Rusche-Sammlung, vol. I, Portraits, Münster/Hamburg/London 1995, p. 146, cat. no. 55, reproduced in colour;

W. Pijbes, M. Aarts, M. J. Bok et alAt Home in the Golden Age, exh. cat., Zwolle 2008, p. 94, cat. no. 87, reproduced in colour;

H. Bündge and L. Heese (eds), Gutes böses Geld. Eine Bildgeschichte der Ökonomie, exh. cat., Bielefeld and New York 2016, reproduced in colour p. 110.

Catalogue Note

According to the Dutch biographer Arnold Houbraken, Jan Verkolje was a self-taught child prodigy. A prolific portrait painter, he had access to rich and influential patrons, such as the present sitter. Jacomina Le Pla (1647-1681) married the Leiden merchant David van Royen (1625-1679) in 1666. Van Royen, Director of the 'Levantsche Koophandel ter Kramer', took a leading role in long-distance trade with the Eastern Mediterranean. The presence of the black attendant in this portrait also implies that the Van Royens had business connections further afield, and 'exotic' members of the household were a sought-after status symbol at this time.

Old Masters Online | Part I: Property from the SØR Rusche Collection | Part II: Property from Various Owners
Online bidding closed19 Sep 2019 | 05:42 PM GMT