JACOB LOIS | Portrait of a woman, half-length, holding a book 
JACOB LOIS | Portrait of a woman, half-length, holding a book 
JACOB LOIS | Portrait of a woman, half-length, holding a book 
JACOB LOIS | Portrait of a woman, half-length, holding a book 
JACOB LOIS | Portrait of a woman, half-length, holding a book 
JACOB LOIS | Portrait of a woman, half-length, holding a book 
49

Property from the SØR Rusche Collection

JACOB LOIS | Portrait of a woman, half-length, holding a book 

Estimate: 2,000 - 3,000 GBP

Property from the SØR Rusche Collection

JACOB LOIS | Portrait of a woman, half-length, holding a book 

Estimate: 2,000 - 3,000 GBP

Lot Sold:3,250GBP

Lot Details

Description

Property from the SØR Rusche Collection

JACOB LOIS

Rotterdam circa 1620 - 1676

PORTRAIT OF A WOMAN, HALF-LENGTH, HOLDING A BOOK 


signed and dated centre left: Jać Lois: fecit 1650

oil on panel

unframed: 71 x 59.4 cm.; 27¾ x 23¼ in.

framed: 93 x 82 cm.; 36½ x 32¼ in.


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Condition Report

Property from the SØR Rusche Collection is available to view at Sotheby’s, New Bond Street, 13 – 18 September (weekdays 9am – 4.30pm; weekend 12-5pm).


The panel is cradled, flat and stable. The paint surface is slightly dirty, and the varnish is clear and even. Two vertical lines of discoloured retouching are visible running the height of the panel, each approximately 10 cm from either margin, which correspond to repaired splits or joins. Other small spot retouchings are scattered in the background, most notably in the centre of the left margin and in the upper left corner. Inspection under UV light confirms these and further reveals spot retouchings scattered throughout the sitter's face and in the dark folds of her head scarf. The painting is in overall fair condition.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.


Please note, Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.

Cataloguing

Provenance

Anonymous sale, London, Christie's, 20 December 1906, lot 82;

Anonymous sale, London, Christie's, 2 July 1917, lot 93;

Private collection, Italy;

From whom acquired by A.E. 'Chick' Austin, Director of Wadsworth Athenaeum, Hartford, Connecticut, circa 1930;

Private collection, United States;

Anonymous sale, New York, Sotheby's, 12 January 1995, lot 26, where acquired.

Exhibited

Rotterdam, Kunsthal, At Home in the Golden Age, 9 February – 18 May 2008, no. 91.


The SØR Rusche Collection has been exhibited extensively over the last two decades. Please click here for further information.

Literature

The Connoisseur, vol. 39, no. 156, August 1914, p. 261, reproduced;

H.-J. Raupp (ed.), Niederländische Malerei des. 17. Jahrhunderts der SØR Rusche-Sammlung, vol. 2, Genre, Münster/Hamburg/London 1996, pp. 160-63, cat. no. 38, reproduced in colour;

W. Pijbes, M. Aarts, M.J. Bok et al, At Home in the Golden Age, exh. cat., Zwolle 2008, p. 96, cat. no. 91, reproduced in colour.

Catalogue Note

Jacob Lois spent his entire life in Rotterdam, where he is recorded not only as a painter and an architect, but also as a notable collector of paintings. His relatively small body of work is comprised mainly of portraits and religious subjects. A comparable pair of strongly-lit and half-length portraits by Lois, dated 1645, can be found today in Rotterdam in the Het Schielandshuis.1 


1 https://rkd.nl/explore/images/202290 and https://rkd.nl/explore/images/202287

Old Masters Online | Part I: Property from the SØR Rusche Collection | Part II: Property from Various Owners
Online bidding closed19 Sep 2019 | 05:42 PM GMT