BALTHASAR HUYS | Still life with hens, a duck, gherkins, fruits, and a cabbage, all on a wooden table
BALTHASAR HUYS | Still life with hens, a duck, gherkins, fruits, and a cabbage, all on a wooden table
BALTHASAR HUYS | Still life with hens, a duck, gherkins, fruits, and a cabbage, all on a wooden table
BALTHASAR HUYS | Still life with hens, a duck, gherkins, fruits, and a cabbage, all on a wooden table
BALTHASAR HUYS | Still life with hens, a duck, gherkins, fruits, and a cabbage, all on a wooden table
BALTHASAR HUYS | Still life with hens, a duck, gherkins, fruits, and a cabbage, all on a wooden table
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Property from the SØR Rusche Collection

BALTHASAR HUYS | Still life with hens, a duck, gherkins, fruits, and a cabbage, all on a wooden table

Estimate: 3,000 - 4,000 GBP

Property from the SØR Rusche Collection

BALTHASAR HUYS | Still life with hens, a duck, gherkins, fruits, and a cabbage, all on a wooden table

Estimate: 3,000 - 4,000 GBP

Lot Sold:6,000GBP

Lot Details

Description

Property from the SØR Rusche Collection

BALTHASAR HUYS

Mechelen before 1608 - 1652 Rotterdam

STILL LIFE WITH HENS, A DUCK, GHERKINS, FRUITS, AND A CABBAGE, ALL ON A WOODEN TABLE


signed with monogram and dated lower right: B.H. 1650.

oil on oak panel

unframed: 58.5 x 83.4 cm.; 23⅛ x 32¾ in.

framed: 78.5 x 103.6 cm.; 31⅛ x 40¾ in. 


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Condition Report

Property from the SØR Rusche Collection is available to view at Sotheby’s, New Bond Street, 13 – 18 September (weekdays 9am – 4.30pm; weekend 12-5pm).


The panel is uncradled with a horizontal join through the centre. It is slightly bowed at the upper and lower margins. Discoloured retouching is visible along this join. The paint surface is otherwise relatively clean, and the varnish is clear and even. Inspection under UV reveals relatively little retouching. Below the fine line across the panel join, there is a slightly thicker line of retouching approximately 10 cm long in the vine leaf centre left below the pigeon's wing. Other concentrated areas of retouching are in the dark feathers in the neck of the black chicken and to an area in the table just left of centre on the lower margin measuring 2 by 7 cm. There are other very small sparsely scattered retouchings in the background and in the tail feathers of the white chicken. The painting is in overall good condition.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.


Please note, Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.

Cataloguing

Provenance

Private collection, Sweden (according to a label on the reverse);

Anonymous sale ('The Property of a Lady'), London, Sotheby's, 5 July 1933, lot 28 (as Monogrammist BH);

Anonymous sale, Amsterdam, Sotheby's, 7 November 2000, lot 195, where acquired. 

Exhibited

Rotterdam, Kunsthal, At Home in the Golden Age, 9 February – 18 May 2008, no. 47. 


The SØR Rusche Collection has been exhibited extensively over the last two decades. Please click here for further information.


Literature

E. Gemar-Költzsch et alHolländische Stillebenmaler im 17. Jahrhundert, Lingen 1995, vol. III, p. 685, cat. no. 247/1, reproduced (as Monogrammist BH and erroneously as oil on canvas);

A. van der Willigen and F. Meijer, A dictionary of Dutch and Flemish still-life painters working in oils: 1525-1725, Leiden 2003, p. 115;

H.-J. Raupp (ed.), Niederländische Malerei des. 17. Jahrhunderts der SØR Rusche-Sammlung, vol. 5, Stilleben und Tierstücke, Münster/Hamburg/London 2004, pp. 146-49, cat. no. 29, reproduced in colour;

W. Pijbes, M. Aarts, M.J. Bok et al, At Home in the Golden Age, exh. cat., Zwolle 2008, p. 67, cat. no. 47, reproduced in colour.

Catalogue Note

Balthasar Huys, formerly known as the monogrammist BH, trained under Jean Baptiste Saive in Mechelen, where he became a master of the artist's guild in 1619. He likely executed the present panel, dated 1650, while he was in Rotterdam, where he was active throughout much of his late career. A vine tendril in the shape of a is an interesting detail visible, centre left. 


1 A comparable composition by Huys, dated 1644 of smaller dimensions, was sold at Sotheby's Amsterdam, 6 November 2001, lot 77.

2 Oil on panel, 32.7 by 59 cm, formerly in the collection of H.R. van der Molen.

Old Masters Online | Part I: Property from the SØR Rusche Collection | Part II: Property from Various Owners
Online bidding closed19 Sep 2019 | 05:42 PM GMT