GORTZIUS GELDORP | Venus, or a young woman en deshabillé
GORTZIUS GELDORP | Venus, or a young woman en deshabillé
GORTZIUS GELDORP | Venus, or a young woman en deshabillé
GORTZIUS GELDORP | Venus, or a young woman en deshabillé
GORTZIUS GELDORP | Venus, or a young woman en deshabillé
115

Property from an Important European Private Collection

GORTZIUS GELDORP | Venus, or a young woman en deshabillé

Estimate: 1,000 - 1,500 GBP

Property from an Important European Private Collection

GORTZIUS GELDORP | Venus, or a young woman en deshabillé

Estimate: 1,000 - 1,500 GBP

Lot Sold:3,000GBP

Lot Details

Description

Property from an Important European Private Collection

GORTZIUS GELDORP

Leuven 1553 - 1616 Cologne

VENUS, OR A YOUNG WOMAN EN DESHABILLÉ


oil on oak panel, octagonal, unframed, branded on the reverse with the maker's mark of Guilliam Gabron (Antwerp 1586–1674)

unframed: 56 x 46.5 cm.; 22 x 18¼in.


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Condition Report

Property from Various Owners is available to view at the Sotheby’s Greenford Park warehouse, 13 and 16 – 18 September (10 - 4pm), by appointment.


The panel is comprised of two pieces of wood brought together by a vertical join which is reinforced on the verso with three horizontal strips of wood. The overall panel is flat and un-bevelled. There has been some separation along the panel join, which is visible to the naked eye. There are a few pinprick losses along this join and some very small now marginally discoloured retouchings. Along the join there are very minimal retouches, only a couple of very small brushstrokes along the lower section of the join. The torso, face, and drapery of the figure are all well-preserved, showing little, or no retouchings at all. The area in and around the hair show generally applied retouches, which are visible under UV but show very dark to the naked eye. Similarly, two strips at either end of the panel show retouches, but again are very dark when viewed with the naked eye. Overall, the essential parts of the composition are in quite a nice state of preservation.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.


Please note, Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.

Cataloguing

Provenance

Anonymous sale, Lucerne, Fischer, 2-8 June 1975, lot 682, where acquired by the father of the present owner.

Catalogue Note

Other versions of this painting, of square format, were sold London, Christie's, 21 July 1989, lot 79, and Paris, Tajan, 26 June 1992, lot 38.

Old Masters Online | Part I: Property from the SØR Rusche Collection | Part II: Property from Various Owners
Online bidding closed19 Sep 2019 | 05:42 PM GMT