FRANS VAN MIERIS THE YOUNGER | Joseph and Potiphar's wife
FRANS VAN MIERIS THE YOUNGER | Joseph and Potiphar's wife
FRANS VAN MIERIS THE YOUNGER | Joseph and Potiphar's wife
FRANS VAN MIERIS THE YOUNGER | Joseph and Potiphar's wife
FRANS VAN MIERIS THE YOUNGER | Joseph and Potiphar's wife
FRANS VAN MIERIS THE YOUNGER | Joseph and Potiphar's wife
29

Property from the SØR Rusche Collection

FRANS VAN MIERIS THE YOUNGER | Joseph and Potiphar's wife

Estimate: 4,000 - 6,000 GBP

Property from the SØR Rusche Collection

FRANS VAN MIERIS THE YOUNGER | Joseph and Potiphar's wife

Estimate: 4,000 - 6,000 GBP

Lot Sold:13,750GBP

Lot Details

Description

Property from the SØR Rusche Collection

FRANS VAN MIERIS THE YOUNGER

Leiden 1689 - 1763

JOSEPH AND POTIPHAR'S WIFE


signed lower left: F.van Mieris / f....

oil on oak panel

unframed: 46.5 x 37.5 cm.; 18⅜ x 14½ in.

framed: 55.9 x 47.3 cm.; 22⅛x 18⅝ in. 


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Condition Report

Property from the SØR Rusche Collection is available to view at Sotheby’s, New Bond Street, 13 – 18 September (weekdays 9am – 4.30pm; weekend 12-5pm).


The panel is uncradled, flat, and stable, and it is bevelled on all four margins. The surface is somewhat dirty and the varnish is clear. There is one small spot of repair on the curtain of the bed at the upper centre, and a spot of retouching is visible in the seated figure's hair at his upper shoulder. Some faint frame abrasion visible at upper left margin. Inspection under UV reveals a thick varnish and a few scattered small spots of finely applied retouching, for example a few scattered in the figures' costumes and some at the left and right margins. There are some spots of retouching in background around the standing figure's feet, as well as some strengthening in the darks of the lower right foreground, such as in the shadows behind the chair and around the still life. More concentrated spots of retouching is found in lower right and lower left corners, as well as at the center of upper margin. There may be an older campaign of restoration in the draped carpet in the lower right. In overall good condition with no further intervention necessary.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.


Please note, Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.

Cataloguing

Provenance

Private collection, France;

With Galerie Sankt Lucas, Vienna, 1995;

Anonymous sale, Amsterdam, Paul Brandt, 27 November 1979, lot 59 (as Willem van Mieris) for 9,000 Dutch Guilders, where acquired.

Exhibited

The SØR Rusche Collection has been exhibited extensively over the last two decades. Please click here for further information.

Literature

H.-J. Raupp (ed.), Niederländische Malerei des. 17. Jahrhunderts der SØR Rusche-Sammlung, vol. 4, Historien und Allegorien, Münster/Hamburg/London 2010, pp. 240-44, cat. no. 38, reproduced in colour.

Catalogue Note

Frans van Mieris the Younger was the son of Willem van Mieris, and grandson of Frans van Mieris the Elder, the leading member of the family of artists working in Leiden. Leiden was the centre of the fijnschilder tradition of painting, developed by Gerard Dou, and practised by artists including Van Mieris, Gabriel Metsu and Godfried Schalcken. Fijnschilder - literally ‘fine painting’ - is the term that, in the 19th century, came to define these meticulously-executed paintings with their exquisite details and smooth surfaces, typically painted on a small scale, with some features purportedly executed with brushes made from a single hair.

Old Masters Online | Part I: Property from the SØR Rusche Collection | Part II: Property from Various Owners
Online bidding closed19 Sep 2019 | 05:42 PM GMT