ABRAHAM HONDIUS | Three dogs attacking a crane in a landscape
ABRAHAM HONDIUS | Three dogs attacking a crane in a landscape
ABRAHAM HONDIUS | Three dogs attacking a crane in a landscape
ABRAHAM HONDIUS | Three dogs attacking a crane in a landscape
ABRAHAM HONDIUS | Three dogs attacking a crane in a landscape
ABRAHAM HONDIUS | Three dogs attacking a crane in a landscape
69

Property from the SØR Rusche Collection

ABRAHAM HONDIUS | Three dogs attacking a crane in a landscape

Estimate: 2,000 - 3,000 GBP

Property from the SØR Rusche Collection

ABRAHAM HONDIUS | Three dogs attacking a crane in a landscape

Estimate: 2,000 - 3,000 GBP

Lot Sold:3,250GBP

Lot Details

Description

Property from the SØR Rusche Collection

ABRAHAM HONDIUS

Rotterdam circa 1631 – 1691 London

THREE DOGS ATTACKING A CRANE IN A LANDSCAPE


signed and dated centre left on the stone: Abraham / Hondius / 1670

oil on oak panel

unframed: 28.2 x 35 cm.; 11⅛ x 13¾ in.

framed: 43 x 49 cm.; 16⅞ x 19¼ in. 


To view shipping calculator, please click here

Condition Report

Property from the SØR Rusche Collection is available to view at Sotheby’s, New Bond Street, 13 – 18 September (weekdays 9am – 4.30pm; weekend 12-5pm).


The panel is uncradled, flat, and stable. The paint surface is clean and the varnish is clear and even. Inspection under UV light reveals small retouchings scattered throughout the sky, notably to the area between the dogs heads and in the upper right corner, where there is retouching to a diagonal scratch 5 cm long. There are further small, scattered retouchings in the crane's wings and in the dogs' heads, as well as along the right and lower margins and in the lower left corner. There are small retouchings in the foreground around the greyhound's tail and around the spaniel's legs. The painting appears fresh and ready to hang without a need for further intervention. In overall good condition.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.


Please note, Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.

Cataloguing

Provenance

Anonymous sale, Amsterdam, Sotheby's, 10 May 1994, lot 51, where acquired.

Exhibited

Rotterdam, Kunsthal, At Home in the Golden Age, 9 February - 18 May 2008, no. 11.


The SØR Rusche Collection has been exhibited extensively over the last two decades. Please click here for further information.


Literature

H.-J. Raupp (ed.), Niederländische Malerei des. 17. Jahrhunderts der SØR Rusche-Sammlung, vol. 5, Stilleben und Tierstücke, Münster/Hamburg/London 2004, pp. 142-45, cat. no 28, reproduced in colour;

W. Pijbes, M. Aarts, M. J. Bok et alAt Home in the Golden Age, exh. cat., Zwolle 2008, p. 40, cat. no. 11, reproduced in colour.

Catalogue Note

Abraham Hondius was born in Rotterdam to a stonemason, and it was here that he likely trained under Pieter de Bloot and Cornelis Saftleven. He remained in Rotterdam until about 1659, after which time he spent a few years in Amsterdam before moving to London in 1671, where he lived and worked the rest of his life. Hondius was a painter, etcher and draughtsman whose output primarily centred around the theme of animals, though he did occasionally explore landscape, genre, and history subjects. The present painting is exemplary of his works produced from around 1660-80, namely hunting themes and animals fighting. This scene is set against an orange and yellow evening sky, which not only lends a degree of drama to the event unfolding in the foreground but also highlights the lively brushwork with which the animals have been faithfully rendered.


Other comparable treatments of this energetic subject are found in many private collections and museums, including a pair of works in the Staatliches Museem, Schwerin.1


https://rkd.nl/explore/images/270233 and https://rkd.nl/explore/images/270236

Old Masters Online | Part I: Property from the SØR Rusche Collection | Part II: Property from Various Owners
Online bidding closed19 Sep 2019 | 05:42 PM GMT