JOHN NOST SARTORIUS | SETTING OUT; TALLY HO!; FULL CRY; AND THE KILL
JOHN NOST SARTORIUS | SETTING OUT; TALLY HO!; FULL CRY; AND THE KILL
JOHN NOST SARTORIUS | SETTING OUT; TALLY HO!; FULL CRY; AND THE KILL
JOHN NOST SARTORIUS | SETTING OUT; TALLY HO!; FULL CRY; AND THE KILL
JOHN NOST SARTORIUS | SETTING OUT; TALLY HO!; FULL CRY; AND THE KILL
JOHN NOST SARTORIUS | SETTING OUT; TALLY HO!; FULL CRY; AND THE KILL
JOHN NOST SARTORIUS | SETTING OUT; TALLY HO!; FULL CRY; AND THE KILL
JOHN NOST SARTORIUS | SETTING OUT; TALLY HO!; FULL CRY; AND THE KILL
JOHN NOST SARTORIUS | SETTING OUT; TALLY HO!; FULL CRY; AND THE KILL
JOHN NOST SARTORIUS | SETTING OUT; TALLY HO!; FULL CRY; AND THE KILL
JOHN NOST SARTORIUS | SETTING OUT; TALLY HO!; FULL CRY; AND THE KILL
JOHN NOST SARTORIUS | SETTING OUT; TALLY HO!; FULL CRY; AND THE KILL
63

PROPERTY FROM A NEW YORK PRIVATE COLLECTION

JOHN NOST SARTORIUS | SETTING OUT; TALLY HO!; FULL CRY; AND THE KILL

Estimate: 10,000 - 15,000 USD

PROPERTY FROM A NEW YORK PRIVATE COLLECTION

JOHN NOST SARTORIUS | SETTING OUT; TALLY HO!; FULL CRY; AND THE KILL

Estimate: 10,000 - 15,000 USD

Lot Details

Description

PROPERTY FROM A NEW YORK PRIVATE COLLECTION


JOHN NOST SARTORIUS

London 1759 - 1828

SETTING OUT; TALLY HO!; FULL CRY; AND THE KILL


The first, signed lower center: J.N. Sartorius; the second and third, signed and dated lower right: J.N. Sartorius 1826; the fourth, signed lower right: J.N. Sartorius

a set of four, each oil on canvas

canvas: each 10 by 14 in.; 25.4 by 35.6 cm.

framed: each 13¾ by 17½ in.; 34.9 by 44.5 cm.

(4)

Condition Report

All four canvases are tightly relined and stable on their stretchers. Detailed landscape images read well beneath clear varnish. A fine web of craquelure is present throughout each painting and is stable and not distracting. No areas of loss or repair are visible to the naked eye. Under UV inspection, the varnish fluoresces unevenly on all four painting, and each has scattered thin retouching to address craquelure and small losses, mostly concentrated in the sky of each. The first image has a repaired T-shaped tear or loss in the sky not visible to the naked eye. The third image shows retouching to address frame abrasion along the left edge and more extensive retouching in the sky than in the other images. The paintings can all hang in their current state. Offered in matching simply carved giltwood frames with scattered paint losses.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Cataloguing

Provenance

Anonymous sale ("The Property of a Lady"), London, Christie's, 16 November 1990, lot 79;

There acquired.

Catalogue Note

John Nost Sartorius was one of the leading sporting artists of his day, and was patronized by the most famous sportsmen, including the Prince of Wales, the Earl of Derby, and others. The present set of four pictures is an imagined narrative of a fox hunt rather than a portrait of any particular sitter or horse; it was likely intended to hang in a country home.

Old Masters Online
Online bidding closed30 Oct 2019 | 05:11 PM GMT