Old Master Drawings

Old Master Drawings

View full screen - View 1 of Lot 15.  GHERARDO CIBO | A ROCKY LANDSCAPE WITH TREES.

GHERARDO CIBO | A ROCKY LANDSCAPE WITH TREES

Auction Closed

January 29, 05:09 PM GMT

Estimate

6,000 - 8,000 USD

Lot Details

Description

GHERARDO CIBO

Genoa 1512 - 1600 Rocca Contrada

A ROCKY LANDSCAPE WITH TREES


Pen and brown ink and wash, heightened with white, on blue paper;

dated in pen and brown ink, upper left: da qui f. g. 13. f / genarro 1570. inscribed, upper right: rippone o fossatto sotto i prati di me[sser] / signmondo: li.3.f.7re. 1569. and numbered, upper right: :12.

further inscribed and dated in brown ink, verso: Arbori co le radi...piene di barbe sottili. ...M[esser]. / fosso sotto la fonte di Me[sser] s...duccio DD 20.. / agosto 1569. presente M[ess]r. paolo Ardoino. E qui / ...li 14. di gennaio.1570

142 by 218 mm; 5½ by 8½ in

This delightful sheet, evidently once part of a sketchbook, is a highly characteristic example of Gherardo Cibo's drawings from nature. Further sheets, plausibly from the same sketchbook and similar in size and style to the present work, were sold in these rooms in 2015.1


Cibo's drawings were previously attributed to a variety of northern artists, with Arnold Nesselrath the first to establish the artist's true identity, which was most probably lost by his drastic decision - when only twenty-eight years old - to abandon the papal city and his promising ecclesiastical career, for a secluded life in the Marches.2 He was from a highly influential aristocratic Genoese family and had received his education in Bologna and Rome. For sixty years he lived mostly in the small city of Rocca Contrada (today Arcevia), where his mother Bianca Maria Vigeri della Rovere resided.


Cibo was a botanist and a scientist, knowledgeable in medicine, a literary figure, a musician and, of course, a talented draughtsman. His poetic views encapsulate the beauty of the countryside and of the mountainous areas in the Marches and are often accompanied by inscriptions that give us, as here, an insight regarding the moment the drawing was made and the place depicted, adding a delightful, autobiographical quality.


Cibo could, as Lucia Tongiorgi Tomasi wrote '...be considered as the very embodiment of that fascinating Renaissance ideal - the "artist-scientist-dilettante."3


1. Sale, New York, Sotheby's, 28 January 2015, lots 3 and 4

2. A. Nesselrath, Gherardo Cibo, exhib. cat., San Severino Marche, 1989

3. L. Tongiorgi Tomasi, 'Gherardo Cibo: Visions of landscape...', Journal of Garden History, vol. 9, no. 4, 1989, p. 215