Sold Without Reserve | MASTER OF THE LAZZARONI MADONNA | VIR DOLORUM BETWEEN THE VIRGIN AND SAINT JOHN THE EVANGELIST; ON EITHER SIDE, THE ANNUNCIATE ANGEL AND VIRGIN
Sold Without Reserve | MASTER OF THE LAZZARONI MADONNA | VIR DOLORUM BETWEEN THE VIRGIN AND SAINT JOHN THE EVANGELIST; ON EITHER SIDE, THE ANNUNCIATE ANGEL AND VIRGIN
Sold Without Reserve | MASTER OF THE LAZZARONI MADONNA | VIR DOLORUM BETWEEN THE VIRGIN AND SAINT JOHN THE EVANGELIST; ON EITHER SIDE, THE ANNUNCIATE ANGEL AND VIRGIN
11

Sold Without Reserve | MASTER OF THE LAZZARONI MADONNA | VIR DOLORUM BETWEEN THE VIRGIN AND SAINT JOHN THE EVANGELIST; ON EITHER SIDE, THE ANNUNCIATE ANGEL AND VIRGIN

Estimate: 60,000 - 80,000 USD

Sold Without Reserve | MASTER OF THE LAZZARONI MADONNA | VIR DOLORUM BETWEEN THE VIRGIN AND SAINT JOHN THE EVANGELIST; ON EITHER SIDE, THE ANNUNCIATE ANGEL AND VIRGIN

Estimate: 60,000 - 80,000 USD

Lot Sold:40,000USD

Lot Details

Description

Property from a Distinguished Private Collection, Sold Without Reserve

MASTER OF THE LAZZARONI MADONNA

(active in Florence, c. 1375-1400)

VIR DOLORUM BETWEEN THE VIRGIN AND SAINT JOHN THE EVANGELIST; ON EITHER SIDE, THE ANNUNCIATE ANGEL AND VIRGIN


tempera on panel, gold ground

8¾ by 23 in.; 22.2 by 58.4 cm.

Condition Report

The following condition report has been provided by Karen Thomas of Thomas Art Conservation LLC., 336 West 37th Street, Suite 830, New York, NY 10018, 212-564-4024, info@thomasartconservation.com, an independent restorer who is not an employee of Sotheby's.


This painting is in sound condition overall and free of significant losses. Due to the straightforward, simple technique, the painting holds together nicely in spite of scattered tiny losses. Some contours and shadows of the folds in the garments have been reinforced with restoration, and retouching knits together wear in the face of the Virgin, far right. The gold ground appears to have been regilt, which may indicate that some portion of the sgraffito cloth of honor behind the Virgin is new, as well as the contours of the figures overlapping the gold. A string of old cracks, stable, run the width of the panel through the middle of the horizontally-grained wood panel support, which has a mild vertical convex warp.


"This lot is offered for sale subject to Sotheby's Conditions of Business, which are available on request and printed in Sotheby's sale catalogues. The independent reports contained in this document are provided for prospective bidders' information only and without warranty by Sotheby's or the Seller."

Cataloguing

Provenance

Investment Art International, Dublin;

From whom acquired in 2013.

Catalogue Note

Richard Offner first isolated this anonymous artist under the pseudonym "Master of the Two Madonnas," and Klara Steinweg bestowed his current name based on the Madonna and Child with Two Angels formerly in the Lazzaroni collection, Paris [1]. Active in the late trecento, the Master of the Lazzaroni Madonna completed the allegorical figures for the fresco in the Palazzo Comunale di San Miniato alongside Cenni di Francesco in 1393 [2].


This Vir dolorum displays stylistic affinites with the Madonna of Humility, Museé des Beaux-Arts, Dijon, and a painting of the same subject formerly in the Kisters collection, Basel, suggesting it, like the others, was executed in the artist's mature period [3]. Sonia Chiodo has endorsed the attribution of this work to the Master of the Lazzaroni Madonna and dates it to the 1380s or later.



1.  M. Boskovits, Pittura Fiorentina alla vigilia del Rinascimento 1370-1400, Florence 1975, p. 239, note 169.

2.  Ibid., p. 128, reproduced fig. 323.

3. Ibid., reproduced fig. 413.

Master Paintings
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